Blackpaint 16

Shading (NB – see Blackpaint 76, 78, 81 and 82 for more on Michelangelo)

I’ve been studying the shading used by the old masters in their drawings.  Mantegna appears to be consistent; he shades with diagonal lines from top right towards bottom left, or horizontally if shading a flat surface tilted towards the viewer. 

Titian, as far as I can see, uses shading lines that are variable; diagonal from top right or left, horizontal and vertical on the surface of water and vertical for a cliff face, say.

Leonardo appears to favour diagonal shading lines from top left towards bottom right – but will so the opposite on occasion and sometimes (anatomical drawings) will cross them to form a patch of diamond shapes.  With bones, he appears to favour horizontal shading lines that curve with the surface of the bones.

Michelangelo does a rather shallow diagonal from top left towards bottom right and sometimes vertical.

Durer uses lines in any direction that suits the surface, curving them to follow the contours.

Having said all this, no doubt tomorrow I’ll find more drawings that completely contradict it.Leonardo

See Blackpaint 40, 41, 76, 78, 81 and 82 for more on Michelangelo…but read on here first!

The Trial

Watched Orson Welles’ version of the above, with Anthony Perkins doing a brilliant, nervy, bemused Josef K.  Fantastic shots of muddy wastelands, lowering skies, shabby concrete flats (shot in Zagreb).  Also the huge statuary of the entrance to the Gare D’Orsay and labyrinth of corridors and hallways.  Jeanne Moreau, Elsa Martinelli and Romy Schneider deepening Perkins’ bemusement at various stages.  Scene of a host of naked, elderly men, holding their numbers,  standing cowed beneath a statue cloaked in a white sheet (to the intro of Albinoni’s Adagio).  Surreal incidents, dreamlike quality; fantastic (but no doubt deeply flawed; every film I like turns out to be deeply flawed).

Listening to: Christy Moore, Vive la Quinte Brigada.

“Vive la Quinte Brigada,  The passion and the pledge that made them fight,

Adelante! is the cry around the hillside,

Let us all remember them tonight”.



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One Response to “Blackpaint 16”

  1. 2010 in review « Blackpaint's Blog Says:

    […] Blackpaint 16 December 2009 3 […]

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