Blackpoint 32


Painting Abstraction – New Elements in Abstract Painting by  Bob Nickas

Very short one today.  Did Conceptual art yesterday, so I’ve been looking at  the above book which is exclusively about painting.  I realise that what I really like in painting is texture – a whole lot of the paintings in this book, although striking in many ways, colour, design, pattern, lack texture; that is to say, they are too smooth.  For me, a surface must be bumpy, clotted, smeared, grooved, gravelled, charcoaled, sanded, glassed, ragged or even fag-butted – or at least, it ought to look like it a bit.

Likewise the paint – it should be smeared, spattered maybe, thick here, thin and dry-brushed there.  Airbrush is OK, if, like Oehlen, it is sploshed and dragged over with a hand brush. 

So that’s why, in the above book, I look at Elizabeth Neel and Allison Miller and Amy Sillman and Katy Moran, before, say, Tomma Abts.

Listened to Schoenberg’s 2nd Chamber Symphony and realised that the first part is based around a figure that is note for note (it sounds to me) the same as one in Elgar’s “Falstaff”.  Coincidence, for sure.

Also “May you never” by John Martyn.

“And you never talk dirty behind my back,

And I know that there’s those who do…” 

Blackpaint

07.01.10

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2 Responses to “Blackpoint 32”

  1. ~Elizabeth Rose Says:

    whose work is it , the abstract works? No name underneath works just blackpaint.

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