Blackpaint 187


Tate St.Ives, “Grid”

The last part of this exhibition (see Blackpaint 185/6) is the minimalist bit; an area of stillness after the surfacy excitement of “Gesture” (going for Pseud’s Corner here; never know your luck).

De Stael

“Marathon”.  A surprise to find him here; I think his pictures usually fit more with the stuff next door.  Anyway, not a good one, boring for such a giant.  Blacks and greys and beige, a sort of spray of linear marks from the centre – looked like a collage on black felt.

Carl Andre

The zinc and steel plain squares, like a deficient chess board – 36, I think – which you step on accidentally and jump back, then realise you are allowed.

Naum Gabo 

A typical Gabo structure, maybe 2 ft by 2ft, delicate white thread shrouds around a central rectangle.

Mary Martin

A wall plaque with shiny metal pointed shapes studding it or stuck on.  Usually to be seen at Tate Modern.

Donald Judd

One of his signature “ladders” of flat, square, metallic platforms going up the wall.

Ryman

A completely white rectangle; this one had narrow white tape around its perimeter, securing it to the aluminium frame. 

Ben Nicolson

A small, interlocking collection of blocks, all white.

Eva Hesse

A piece of graph paper, with a central rectangle made by Hesse drawing a circle within each square and filling in the outside edges.  Since this could not be done “perfectly” – there would always be a touch of human inexactitude – this created a wobbly effect, setting up a tension with the perfection of the grid squares; or so the label said.

I was unaware of this minimalist aspect of Hesse’s work, knowing only the Riopolle-like pictures reproduced in the “Gestural Painting” book and the haunting suspended blocks clothed in linen.  Not keen on this.

Moholy – Nagy

A beautiful white and grey painting with black and red squares and lines, very Nicolsonish, that was in the Van Doesburg exhibition, I think.  No wrong, just checked  the catalogue.  Must have been in the fantastic MN/Albers exhibition at TM a couple of years ago.

Mondrian

Now, I’m sure this was in the Van Doesburg; the squares painting with grey instead of the more characteristic white.  From 1920, if I’m right.

Morellet

Never before heard of this artist.  Interlocking shapes like crosses and T shapes on the side with a line at both ends, on white.  Creates a wobbly effect, a bit like Oiticica.

There was also an Albers and a Sol LeWitt, but took no notes on them – sorry, chaps. And a “Black painting” by …….

Safe to say, I preferred the gesturals next door; but who knows, maybe I’ll suddenly get it and be converted.

Barbara Hepworth’s House

I wrote about this in last blog.  I hadn’t remembered that she died in a fire in her studio.  Some of her stuff is so like Moore’s – who copied whom, I wonder – and Gabo, the holes and strings.  I was reminded too of the great story in John Bird’s book about the St. Ives lot, where Terry Frost or maybe Dennis Mitchell, doing some menial labouring for Hepworth, were locked in a conservatory by her while she showed  round some bigwigs.  Frost, or Mitchell, was taken short and had to piss in a pot which leaked out under the door and between the feet of Hepworth and her party; They all pretended not to notice.

Listening to White Lightning, Waylon Jennings.

“A city slicker came and he said “I’m tough;

“Guess I’d like to try some of that mountain stuff”,

He took him a sip and then he drunk it right down,

And I heard him say before he hit the ground,

“Mighty, mighty pleasin’, your Daddy’s corn squeezin’s”,

Ooooorgh – White Lightnin’!” 

An old one.

Blackpaint

05.09.10

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