Blackpaint 201


Gauguin

Review of the new exhibition at Tate Modern by Adrian Searle in Guardian this week said Gauguin had re-emerged in the work of Peter Doig and Chris Ofili.  Hadn’t thought of this before, but he’s right, in my view.  Easy to see why Ofili, the relocation to Trinidad, the choice of local subject matter, even the use of colour – the central picture in the Guardian article is suffused with a shade of mauve reminiscent of Ofili’s latest work (at least, the work exhibited recently at the other London Tate).

Why Doig?  his paintings, after all, are usually enigmas, in a way that Gauguin’s are not, or are not intended to be.  I suppose it’s simply that sometimes they resemble one another in their use of tropical location, colours and configuration.

He also mentions Tuymans – have to think about that one!

Rauschenberg

He uses the word “schwandel” or “schwendel” when discussing red paintings in “Painters painting” in a manner which suggests he thinks it would be  a familiar term to viewers; what is he talking about?  Is this a term in frequent use in the art world? 

Grown up Politics

I know it’s nothing to do with art, but I have now heard or seen this term used not only by the insufferable prick of a Lib Dem MP (see Blackpaint 197) but Toby Young on TV and Polly Toynbee in the Guardian.  Another phrase which seems to have spread like germs on a toilet door handle is “wriggle room”, sometimes delivered as “wiggle room”.

Exhibition

Tomorrow.  Haven’t done the titles or prices yet – panic!  Closing now…

Blackpaint – Old one

Listening to Richard Thompson, Vincent Black Lightning 1952

“I see angels and Ariels in leather and chrome,

Swinging down from heaven to carry me home,”

And he gave her one last kiss and died –

And he gave her his Vincent to ride.”

Blackpaint

October 1st

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