Blackpaint 205


Has to be Ai Weiwei again today – his installation is now open it the Turbine Hall of Tate Modern.

Ai Weiwei – Sunflower Seeds

150 million porcelain seeds, each hand-painted, made by population of Jingdezhen, centre of historical porcelain industry in China, deposited in a huge slough on the floor of the hall.

In the Guardian photograph, it looks like a vast grey gravel or cinder bed – something in a builders or railway yard, laid down as a bed for sleepers.  Is it like a beach?

What does it mean?

Obvious meaning is crystallised labour.  According to the Marxist theory of value, a commodity is a lump of the worker’s labour in physical form.  It also represents the de-skilling involved in mass production.  Although the seeds are painted by hand, each one bears only a few strokes – this from an industry in which hand painting was highly skilled and beautiful.

The use of sunflower seeds has a resonance for China, in that they are widely regarded and consumed as a snack food there.

Ai himself says they can be seen as a metaphor for Twitter, each representing a single tweet.

I’ve been to see it this afternoon, but no time to write properly now – minor family crisis – so please treat this as a tweet.  Proper blog tomorrow.

Old one, a bit like a seed I thought.

Blackpaint

12.10.10

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