Blackpaint 211


Colour

My birthday the other day, and I got three cards of different painters: Albert Irvin, Vincent van Gogh and Alfred Wallis.  with them lined up on the mantelpiece, it struck me that Irvin’s and van Gogh’s colours were so different that it was almost as if you needed a different word to describe them – VG’s muted, rich, glowing, nuanced; Irvin’s brash, bright, glaring (fluorescent even), with no blending or sculpting, hardly any texturing.  But it’s more than this – they just seem to be from two different worlds altogether, can’t explain more clearly.  Irvin seems to go with Warhol and maybe Albert Oehlen, no-one else I can think of.

As for Wallis, his palette in this picture, white, Prussian Blue, yellow ochre is really characteristic of St.Ives.

This stuff is all because I’ve been bought a load of different oils and am trying to work out what pictures I can paint with them – the “old” ones have the wrong forms, textures etc.

Michelangelo and Raphael

Pretty much sticking by what I said in last blog, but there are some Raphael compositions that you couldn’t really call “static”:  Galatea, the various St. George’s and St.Michael’s, Road to Calvary (the so-called “spasimo” – though even this is restrained, compared to Mick).

One thing – “Dream of Jacob of the ladder to heaven”; it’s on the wall of the Palazzi Pontifici in the Vatican.  It’s sooty and badly drawn and looks as much like a Raphael as an Albert Irvin.  It’s not in the Wikipedia list of his works, for some reason.  I think a workman knocked it out during Raphael’s lunch hour.

Reading Diebenkorn book by Jane Livingstone, and again reminded of Lanyon in his attitude to figurative v. abstract, and to landscape.

Back properly soon.

Nameless as yet, Blackpaint

25.10.10

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2 Responses to “Blackpaint 211”

  1. Art Rock Says:

    Great blog, fascinating art. My compliments. I blogged about it here:
    http://artrock2006.blogspot.com/2010/10/blackpaint.html

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