Blackpaint 233


British Museum – Drawings; Picasso – Mehretu

Total surprise, this; free alternative to spending £12 on the Book of the Dead exhibition.  And one of the best exhibitions I’ve seen this year (review of the year to follow after Christmas).

Straightaway, I have to mention Jim Dine – “The Diemaker”.  Beautiful drawing, white shirt and tie barely suggested, slumped seated pose, one hand a grey cloud, heavy shading on face and left side, which looks strangely collapsed in shadow.

RB Kitaj – “Sides”, 1976.  Three depictions of male right side, from about chin to mid thigh, chalks on yellow paper; just stunning life drawings, class of Michelangelo.  Lean, muscular body, great, sweeping curve of lower back into buttocks – fabulous.

Picasso – sketch in red chalk for “Desmoiselles d’Avignon”, an upperbody and head, and separate face, latter recognisable as a desmoiselle, former not like P. at all – heavy overdrawing, more like Rouault, say.

Matisse – “Lady in Taffeta Dress”, charcoal on paper, dress folds suggested with usual economy, fewest lines throughout – but solid.

Bonnard – “Dining Room at Cannet”, coloured drawing, 1940.  Actually a laid table, but done in perspective rather than dropped down, or forward, at this late date.  Chairlegs on right rather dodgy, though.

Anselm Keifer – “Dein goldenes Haar Margarete”, a line from Paul Celan’s Holocaust poem “Todesfuge”.  Ground level cornstalks against a blue sky, the words of the title painted across it.  The blue of the sky a surprising (to me) soft note from this artist.

Guston – Two Guston drawings, the first one of his KKK crowds, milling about in a cave, their button eyes looking somehow startled; the other, “Hooded”, a single head in a non-Klan covering, suggesting torture today, obviously.

David Smith – A drawing very like his “landscape” sculptures, a framework with dangling bits and screwed-on ratchets(?).  They remind me of those Airfix kits with the plane parts stuck on plastic frame for you to twist off.

Dorothy Dehner – Smith’s 1st wife. “The Great Gate of Kiev”, an exploded plan of a wooden structure – but it’s flying!

Kirchner – Three, I think, and interesting to hit his gestural, expressionist style first, as you pass from the little ante room with the permanent collection of early drawings, etchings and mezzotints, showing evidence of sheer, painstaking effort.  Kirchner like a draught of cold, strong wine or a release of breath.

Enough for today – rest of drawings tomorrow.

Michelangelo

Looked at the Epifania cartoon again, in this section – I’m sure that the standing figure on the viewer’s right is a self-portrait.  The broken nose is there and it looks to me like a pumped-up version of the famous St.Bartholomew’s skin self portrait on the Sistine wall – only grinning.

Blackpaint

22.12.10

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