Blackpaint 243


Tate Britain

Half the place a building site, as Fiona Banner’s planes are dismantled – wings were going out the door as I arrived.  No new paintings, but some things I missed last time:

Vanessa Bell, “Studland Beach” – two large hatted women watch another at a shoreline changing tent, like a worshipper at a white monolith.  Simple “plates” of deep blue, cream and ochre, very effective from a distance.

Lucien Freud – a portrait of his first wife (who died the other day) with those huge, intense eyes.  Looks as if she’s strangling the cat she is holding up to the viewer.

The collection of little sculptures -Meadows, Chadwick, Armitage – remind me of those lines in Prufrock: “I should have been a pair of ragged claws/ Scuttling across the floors of silent seas” – or again, Rex Warner’s “Light and Air”: ” even the pale of pearl, nip, clip of dawn/ on cold coasts curling over the grey waves..”.

Keith Vaughan, “Theseus and the Minotaur” – a naked woman, presumably Ariadne, seated, a naked man stretched out asleep on a bed – Theseus? – and a humanoid form, I assume the Minotaur, standing over him.  This is obviously a version of the story with which I am unfamiliar.

Auerbach, “Building Site on Oxford Street” – today, it looks like a thick, liquid mass of mud or faeces; cream, red-brown, grey and yellow, with straight lines ploughed trough the morass with fingers or brush.  Last time, I thought it looked “bejeweled”.

Blake, “The Good and Evil Angels” – the label next to the painting points out that the bad angel has a heavy build and dark skin (reflecting “non-European stereotypes” of the time); but it also looks to me as if he is blind – his eyes have no pupils.  No reference to this on the legend.  A look at the Tate website, however, provides a clue; for Blake the bad angel represents energy, the good, reason. This would make sense; energy is blind without the direction of reason.  Possibly.

Marc Vaux (b.1932)

This artist has a whole room, containing seven large works.  They are smooth textured, uniformly layered colours, mint green, brown, cream, red, blue, grey and black.  Two have bolt-on metal or perspex appendages, in one case, like a frame imposed on the picture a little short of the edges and a little away from the canvas.  Half circles, bent stripes, wedge shapes.

Tarkovsky’s “Mirror “

Watched this again today and was interested to see the scene where the woman washes her hair and rises in slow motion from the sink, her hair covering her face and dripping, while water runs down the charred walls of the wooden house behind her.  That’s where the little girl in “The Ring” came from, surely.

Blackpaint

18.01.11

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