Blackpaint 289


Guggenheim Bilbao – Painterly Abstraction

Great exhibition, based on Gug’s own collection, including Ab exes, colour fielders and even minimalist/post painterly abstractionists like Frank Stella – seems to bely the title, but maybe that room wasn’t part of the main show – doesn’t matter.

Asger Jorn

A beautiful Asger entitled “Green Ballet”; usual Jorn goblin faces and globular, floating things in a green sea.  Loads of brilliant colours and textures swirling around, that made me want to go straight home and paint.

Sam Francis

“Red and Black”,  cluster of red globules, rising into a Prussian blue, then black upper field.  Also “Shining Back”, that characteristic Francis indigo, violet blue with orange, sliding/dripping down the unbleached canvas.

Jack Twarkov

“Red Lode” – fiery coals of red piled at the base; rest looks like grey-black, but on closer inspection, it contains fields of dark blue and green.

Jose Guerrero

“Signs and Portents”; awful title, but striking picture – yellow, orange, blue with black dabs, swipes and dribbles.

Corneille

“Spell of the Island” – There was a painting in the Tate Britain by Gillian Ayres a while ago that resembled the parts of a full English breakfast spread out; this Corneille looks like a giant yellow pizza with the Ayres bits gathered round and on it like toppings and side dishes.  It’s very enjoyable.

Conrad Marca-Relli

Collages produced by overlapping cuts of shaped canvas – a strange, Diebenkorn – like effect.  Never heard of him before.

More from Guggenheim next time.

Pretention

A correspondent has taken me to task for calling “Last Year in Marienbad”  pretentious;  I think all art contains pretention – difficult to see how you can make anything worthwhile without overreaching sometimes, and doing something laughable/ludicrous/ridiculous.  Sometimes you get the sublime and the ridiculous in the same work.  This especially applies to film makers – I can think of bits of both in the work of Tarkovsky, Tarr, Pasolini…  Bunuel and Fellini, of course, are both sublime at all times.

Thomas Hardy

Some great scenes in “Return of the Native”;  two men gambling frenziedly by night on the open heath – by the light of glowworms!  A secret assignation, in which the agreed sign that the man has arrived is the throwing of a moth into a candle flame!  Can you imagine arriving on time to meet your lover and then having to chase moths around until you find one slow enough…

The Two Gentlemen of Verona

Re-reading this for the first time since 1989, and I think there is clear evidence that Shakespeare lost interest and wanted to get on to the next play.  Proteus is about to rape Silvia (Valentine’s beloved) when he is prevented – but he says sorry to Valentine.  I’m paraphrasing here, as you might guess, but Valentine’s reaction boils down to; “Oh well, if you’re sorry, that’s OK – let’s be friends again and you can have her.”  Lots of phrases that foreshadow Romeo and Juliet.

 

Yes, the fingers are part of this work.

Blackpaint

19.08.11

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2 Responses to “Blackpaint 289”

  1. Stroller on Says:

    Can the fingers be purchased separately? If so how much??

  2. blackpaint Says:

    Obviously, a work of art is a completed “thing in itself” – the fingers are integral. I’m rather surprised that a reader of this blog could ask such an outrageous question. Just out of interest, what were you thinking of offering per digit?

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