Blackpaint 302


Tarkovsky

I mentioned that Bunuel was deaf in last blog, and that may be why music was apparently not so important in his films; watching Tarkovsky’s “The Sacrifice” last week, and his use of, for instance, Bach’s Matthew Passion, it’s clear that Tarkovsky is the opposite of Bunuel in this respect – as also in the total lack of humour in any of his films (T., not B., that is, of course).  One other thing in “Sacrifice”; the painterly, bleached, interior scenes, are surely based on Hammershoi.  It was filmed in Sweden, after all.

Middlemarch

Exchange of literary opinion on the North Downs Way last week:  “How you getting on with Middlemarch?”

“More than half way through.”

“Anything happened yet?”

(Pause..) “No.”

Venice Guggenheim

Was transported to Venice as a birthday present, so expect many Venetian entries in blogs to come.  The Guggenheim has a bunch of Miros, Ernsts (Bride stripped bare, for instance), Picassos, Braques, Kandinskys, Klees..  I’ve picked four of the most striking paintings:

El Lissitsky

Beautiful, clean, geometric, shades of Malevich.

Motherwell

I think it’s called “Personage”.  Again, clean, clear colours, bit dirtier, more painterly than the El.

Schwitters

Little collage this one, with a corroded metal disc (or that’s what it looks like) and a butterfly.

A great transparent cyclist by Metzinger and a portrait of the painter Frank Burty Haviland by Modigliani, early, utterly unlike his almond-headed nudes and portraits.  And, a load of early Pollocks, including one of those Synasthaesia ones (see earlier Blackpaints on Pollock).

Incidentally, have been given the Taschen on Modigliani and I’ve revised my opinion of him drastically.  I’d thought of him as a sort of Lempicka, doing tasteful pin-up nudes in an endlessly reproduceable, stylised way; but the portraits are great, the styles more varied, the flesh surfaces unexpectedly painterly (hate that word, won’t use it again) – look at the surface, for instance, of the Courtauld Gallery nude…. the problem for me is the pretty faces. The bow lips, demurely downcast eyes, long lashes, come-hither looks would be OK on a biscuit tin, though not sure about the naked bodies.

More Venice, including the Biennale, in the week.

Blackpaint (Chris Lessware)

28.10.11

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