Blackpaint 312 – He Slapped the Paint on with his Bare Hands


De Kooning

“And just as he occasionally applied the paint to canvas with his bare hands, de Kooning’s sculptures reflect the physical investment in the creation of a work of art that was characteristic of …..Abstract Expressionism.” (Barbara Hess, de Kooning, Taschen 2007).  Occasionally?  I would have thought he did it a lot and often – I don’t see how you could get some of those marks with a brush or knife.  Nothing like getting a good fistful and slapping it onto the canvas – in a careful and thoroughly controlled movement , of course…

Soutine

One more quote from the same book, this time DK himself:  “I’ve always been crazy about Soutine – … Maybe it’s the lushness of the paint.  He builds up a surface that looks like a material, like a suvstance.  There’s a kind of transfiguration, a certain fleshiness in his work”.

He’s right, isn’t he?  And there is a certain resemblance in his (Soutine’s) distorted trees and villages to DK’s “style”  (although DK hated the word).

Gesamtkunstwerk at Saatchi

Just want to mention two more artists from this exhibition; the first is Ida Ekblad, a Norwegian who often works in Germany.  She has made several thick plaques of concrete or plaster, in which are embedded, or to which are stuck, various bits of pipe and metals, coloured fabric, general rubbish, some more organised than others, a wash of paint here and there…  I know, sounds like crap, but they really look great, especially from a distance.  When she paints, she turns in huge, dramatic Scando works, owing something to the school of Per Kirkeby.  Saw one of hers in Venice Bienniale, but forgot to mention it then.

Secondly, Thomas Helbig, whose work I both loved and hated.  He has two ghastly, lumpy sculptures entitled Vater and Jungfrau, that are sort of biomorphic – half bird,  half human, really ugly in a not interesting way.  His paintings, Maschine and Wilde Mit Spiegel, however, have a delicacy of touch and colour and a rather Richter-isch quality; maybe because the first looks a bit like a blurred jet plane, recalling Richter’s September painting.

There is a book  of Helbig’s work on sale in Saatchi’s, and in it are a number of very beautiful paintings, on lacquer, I think it said, that recall Chinese wall hangings. 

Finally, for now anyway, there is Stefan Kurten; highly detailed, one or two verging on super-realism, but others in a difficult to describe graphic style -overgrown  gardens, plants, balconies, interiors of deserted flats and modern concrete buildings.  Crowded with things, empty of people.  They look fantastic in repro, maybe better than in the “flesh”.  One of them, Ultramarine II, reminded me of Hopper’s Nighthawks in its general shape, with sculptures and paintings standing in for the people.

Life Drawings

This is the finished painting that I was doing to incorporate some of my lifers, and in which I was trying to purify my colours of ” mud” and get a  De Kooning cleanliness in the tangle.  Partial success, maybe.

Life Drawing I

Here are the pictures I used:

They’re all in there somewhere.

The Music Lovers

Halfway through this and enjoying it immensely, memories flooding back.  It’s like a boisterous brother to Death in Venice, the hostility between Tchaikovsky and Rubinstein (the Delius actor) echoing that between Von Aschenbach and Alfred –   Down the river, through the willows in canoes, everyone in white,shades of  Manet… fantastic.

Blackpaint

12/12/11

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