Blackpaint 313 – Pretentious is a Pre-condition


Fred Cuming

Saw a book of Cuming’s paintings – landscapes, gardens, studio interiors – today.  Doesn’t sound very exciting, but they are really stunning; I looked him up on Google Images and they all looked very similar, sort of blue and misty.  when you zoom them, though, the glowing fires concealed open up.  I don’t usually go for traditional landscape and figurative painters – modern ones, that is – but he’s great; best English  figurative stuff I’ve seen since Rose Hilton, up in Cork Street a few months ago.

Albert Irvin

Bought a cheapo catalogue of Irvin (see last blog) up at King’s Place the other day; the usual eye – burning raspberry, yellow and green stars and flowers etc.; I was surprised to read that an early influence was De Kooning; apparently, he (Irvin) used a lot of black in those days – don’t think he touches it now.  But his main influence was Peter Lanyon.  I can see that in the sweeping brushstrokes sometimes, but not in the colours.  Good, if short,  essay by Alice Correia, containing some interesting observations about abstraction:

Irvin

Lanyon

Cinema

I think I’ve only seen four films at the cinema this year; all of them were great.  They were Days of Heaven (Malick), Il Quattro Volte (Michelangelo Frammartino), Caves of Forgotten Dreams (Herzog) and We need to Talk about Kevin (Lynne Ramsay).  See previous blogs on all.   But this has been  a year in which I got into “World Cinema” in a serious way and discovered a world of pleasure (and pain) by accepting certain pre-conditions:

First, don’t demand a story.  You might find there is one after a while, but watch the film for the images (sound as well as visual).  Second, half-hour chunks can be good – I love Bela Tarr, but I’m not ready to do a whole film at one sitting (unless, like a number of his characters, I am very drunk on Hungarian fruit brandy).  Third, don’t scorn pretention; all art is arrogant and pretentious, or it is if it’s any good. 

10 Best films I’ve seen on DVD this year are:

Satantango, Bela Tarr (twice)

Russian Ark, Sokurov (three times)

Amarcord, Fellini (twice)

l’Age d’Or/le Chien Andalou, Bunuel/Dali (three or four times)

Satyricon, Fellini

Damnation, Bela Tarr

Werckmeister Harmonies, Tarr

Salo, Pasolini

The Discreet Charm of the Bourgeoisie, Bunuel

Women in Love, Ken Russell.

I want to publish, so it’s a bit short today.  I see I have a bad attack of brackets, so will try to avoid them henceforth (will do my best, anyway).

Figures in a Landscape

Blackpaint

17/12/11

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