Blackpaint 416 – “It’s Rather Like…”; Manet in Munich, Mrs. Pynchon in the Newsroom


Munich Marathon

Sorry about break in transmission – I’ve been in Germany, running in the above.  Didn’t get the chance to see much art, except for a brief visit to the Neue Pinakothek  (there are about five art museums, all in the same area; there is one with Warhols, Twomblys etc., but I missed that).

There were three pictures that stood out for me; two by Manet, one by Degas.  The first Manet was “Luncheon in the Studio” (1868), in which a young man, Manet’s stepson I think, gazes vacuously out at the viewer, wearing a comedy hat.  Lupin Pooter comes immediately to mind.  A servant attends in the background; the whole picture, execution and composition, made me think of Velasquez.

manet

Manet, Luncheon in the Studio

velazquez1

Velasquez. Las Meninas

Not sure, but the positioning of the table, the food, the picture and Christ in the neighbouring room,  the positioning of the figures and gaze of the principal… Wikipedia doesn’t mention Velasquez as an influence; it goes for Vermeer.

The other Manet that struck me was his portrait of Monet painting on the Seine.  The surface sketchiness and flickering brush strokes reminded me of Dufy.

manet2

The Degas I mentioned is a double portrait of two men, looking out at the viewer, at least one hatted.  Didn’t remind me of anything except other Degas and I can’t find it anywhere on the net.

The Pinakothek, like the art museum in Budapest that I wrote about; huge, imposing, echoing rooms, vast staircases, not many punters.

Butchers Crossing

Just finished this novel by John Williams, of “Stoner” fame;  It’s rather cliche – ridden, with sequences that bring back western novels and films of the 50s and 60s – Richard Boone maybe, as Miller, the obsessive buffalo hunter; a young Jeff Bridges, possibly, as Andrews. Perhaps it’s best thought of as a pint-sized Moby-Dick, with all the accompanying rambling left out.  I know that’s rather like Ulysses, without all the annoying thoughts of Bloom and Daedalus and Molly…

The Newsroom

Watching this last night, with it’s preposterous ending, I was taken back to “Lou Grant” in the 80s.  The proprietor, the one who looks like Jane Fonda (now), arrives to pass sentence after the latest fuck up (wrongly accusing US forces of using sarin gas in a raid in Afghanistan); she forgives them all, tells them she loves them, adds some uplifting sentiment…  It’s Mrs Pynchon again, before she morphed into Tony’s Soprano’s mother.  This sequence was, however, the only one in which the characters didn’t communicate at machine-gun speed, finishing each other’s thoughts, as if determined to exclude the chance of a casual viewer accidentally understanding what they are on about.

It’s Rather Like…

I am acutely aware that this blog has become little more than a string of comparisons between paintings, programmes, books, even museums.  I think a change of direction is needed, so I am considering a blog in which I discuss artworks which are NOT like each other in any respect.  So, here goes…

In the Neue Pinakothek, was this beautiful portrait by Wilhelm Leibl, “Girl With White Headscarf”:

Liebl

I was struck by how unlike it is to Turner’s “Snowstorm, Steamboat off a Harbour’s Mouth”, ..which is mostly water.

turner

 

 

More art works which are completely unlike each other in next blog.

marian platz

 

Marian Platz by Marion Jones

Blackpaint

15.10.13

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