Blackpaint 424 – Lanyon Sketches, Guston, Borgen and Sharks


Lanyon Sketches at Gimpel Fils

A fantastic exhibition for Lanyon fans at the above gallery in Davies Street W1, off Oxford Street by Bond Street tube.  There are sketches for the murals at Birmingham and Liverpool Universities and some other studies, all in gouache on thick paper, sometimes several layers.

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This is the sketch for the Liverpool work, titled, rather portentously, “The Conflict of Man with Tides and Sands”, done over eight panels of paper; the washed-out colours, white, slate grey shading to blue, ochre, are typical of Lanyon, as is the drawing in heavy black line and sometimes wispy sketchiness, as if done with a nearly dry brush twirled against the surface.

In the Birmingham sketch, Lanyon uses much brighter colours, salmon pink, a bright, almost leaf green, a more vivid blue, a richer ochre; no title for this one.

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Those black markings look like calligraphy, like Kline a bit – or maybe mathematical symbols; not sure which faculty the mural was for.  One other example – this one’s called “Yellow Middle”, but it looks like a plough to me.

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Morton Feldman, “Give My Regards to Eighth Street”

A very abstruse collection of writings by the avant-garde composer, in which he frequently draws comparisons between music and painting, with particular regard to his favourite trio, Mondrian, Rothko and Guston.  In each little segment, there is maybe one paragraph that I understand.  here he is on finishing a painting:  “Guston tells us he does not finish a painting, but “abandons it”.  At what point does he abandon it?   Is it perhaps the moment when it might become a “painting”?  After all, it’s not a “painting” that the artist really wanted…..Completion is not in tying things up, not in “giving one’s feelings” or “telling a truth”.  Completion is simply the perennial death of the artist.  Isn’t any masterpiece a death scene?  Isn’t that why we want to remember it, because the artist is looking back on something when it’s too late, when it’s all over, when we see it finally, as something we have lost?”  I think he (Feldman) is on to something, but I’m not sure I understand it fully…

guston

Guston, in abstract mode.

Borgen

I thought the episode about criminalising prostitutes’ clients in Denmark and the conflation of prostitution and trafficking was particularly good.  I was astounded to read that Hollande’s government is bringing in similar legislation.  On the characters, I like the way that Birgitte is becoming colder, harder, more pragmatic.  The only way, really, since her new party doesn’t seem to have any policies of its own; on the other hand, it’s not real, is it?

Gravity

When she splashed down, and sank, and then emerged from the capsule and began fighting her way to the surface, did you also think “Shark!” followed closely by, “No, surely they wouldn’t…?”

??????????

In Progress

Blackpaint

6.12.13

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