Blackpaint 466 – Sigmar’s Laundry, Egon’s frogs, Will’s Erection


Sigmar Polke at Tate Modern;

Some small paintings and collages, but a lot of huge ones.  Generally, dull but intense colours; sounds like a contradiction, but what I mean is that the colours are deep but they don’t glow – they’re deadened, somehow and many are on browning paper or newsprint.  Deep blues, reds and greens, several deep dark violet/indigo paintings that change as you move in relation to them (Chris Ofili maybe saw them).  The dots are there, as you can see below, often splotchy and uneven, intentionally so, of course.

sigmar polke 1

Several of the collages are composed of pretty tame cut-outs from old soft porn magazines and there are a couple of big “sex” paintings – two women wringing out a huge, towel – like, limp penis and another of a man giving rear action to a face- down woman in a laundry room.

There is  a room of Auschwitz/Berlin Wall watchtowers against banal, wallpaper backgrounds; this one against a flock of geese.

 

sigmar polke 2

There is a big print-like painting with a horned devil, amongst many other things; and some Richter-y  “Nazi family” type photoprints with the dots – and the old resin covered pictures… and much more.  Somehow, not as playful as previous Polke shows I remember…

Schiele at the Courtauld

William Boyd was right about the quality of these drawings and paintings.  They are all pretty small, mostly A2 or less, I think.   However, they are staggeringly assured, varied in execution and full of little presentational devices like the white border around the picture below and the strange positions of the figures on the page.  Some of them lie forming an inner frame to the picture, or are tucked in a corner, or have feet or head cut off by the edge of the page.  You get the impression that he drew fast and aggressively, making no errors (bet that’s wrong).  The first couple, of a young girl and a small child look like Marlene Dumas without the blurring.  The child is podgy – but there’s not much podge around in the rest of the exhibition.  The males, particularly, are stick-thin and flayed, with thick bristles on their legs and around their penises – they brought to my mind frogs, pinned out on a dissection table.  the legs look sort of crunchy…

Euan Uglow and maybe Jenny Savile were the other artists that occurred to me, from the purple, brown and green colours used on the torsos and limbs; like maps, sometimes.  Fabulous, strange, explicit drawings – I wonder what he would have gone on to do if he hadn’t been killed by the flu epidemic.

schiele2.

Also at the Courtauld – 

In the Medieval Room, a predella by Borghese di Piero, one of which see below; glowing reds, orange and carmine maybe – I’m hopeless on colours – used in a strange representation of the trial of Sts. Julitta and Quiricus.  Up there with Duccio, we think.

 

borghese

 

Shark, Will Self 

I’m starting to like the challenge; Self has just brought Ulysses in, in the form of an erection he characterises as stately, plump Buck Mulligan (not his own erection, by the way, but one of his character’s).  You don’t get that in Proust – or not so far (10% now).

 

 

010

 

Target for Tonight

Blackpaint

26.10.14

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