Blackpaint 491- Witches, Flawed Males and Barry Island


History is Now , Hayward Gallery (cont.)

Went back for my second view – you get two visits for the price of one, because there are several films to watch, too long for one trip.  Great photos in the Hannah Starkey section, including the Hurn one below; look at the depth of field.  Also, the Penelope Slinger film on the back wall is worth a good look, if only to work out why it’s more than outdated but agreeable soft porn.

david hurn

David Hurn, Barry Island

Of the films playing on the TV sets, the most interesting was the selection of excerpts of Jeff Keens films.  The high speed succession of images, gone before you have a chance to register them, the roughly drawn surrounds, collaging, burning photos, wax figures that melt instantly, comics, adverts, newsreel(!) – all familiar techniques and almost quaint now.  Took me back to the Venice Biennale 2013, where there was a similar, but huge, film playing in one of the pavilions (see Blackpaint, October 2013).

There was also the Stephen Dwoskin film of Bill Brandt images: Francis Bacon on Hampstead Heath with the lamppost, the silhouette of the cow on the hillside over the valley, the urn on the balustrade… and another great back for my collection (see several previous Blackpaints).

 

bill brandt

 Bill Brandt

 

Goya drawings and etchings, Courtauld Gallery

There are a few etchings – the one below, “Ridiculous Folly”, is the best; many more done with brush and ink – “Mirth”, second below – and some lithographs.  They mostly consist of his witch drawings, although some concern madness. vanity and old age in particular.

There is no doubting the genius of these little pictures; they border on caricature, but you get the feeling that he hasn’t exaggerated features that much – just put the women in nightmares and “funny” situations.  And they are nearly all women; I can only think of one male character, in restraints,  representing Madness.

I found them brilliant, but cruel and often sneering – he was obviously not keen on old women.  Furthermore, I couldn’t see the point of them; they are described as his private works, done for his own purposes, not for publicatioon.  Most artists would stick to sketches to amuse themselves or practise technique.

 

goya1

 

goya mirth

One other character in the Goya drawings was Celestina, who was apparently a stock figure in Spanish literature, an old procuress; reminded me of the famous Blue Period Picasso, “Celestine”, and provides an excuse to reproduce it.

picasso la Celestine

 

Flawed Male Characters

As are all male characters, of course; but recent re-watching brought to mind the three below in particular:

The ratty, porn-watching, intellectually snobbish poseur Mahmut (Muzaffer Ozdemir) in Ceylan’s “Uzak”;

his country cousin, the inarticulate, unsophisticated, lumpish, lonely Yusuf (Mehmet Emin Toprak) in the same film; “Have a sailor’s cigarette…”

uzak1

uzak2

 

And in Michael Handke’s “Hidden”, Daniel Autueil’s TV interviewer who has committed a secret act of betrayal at the age of six and whose wife, Juliette Binoche, regards him with a blaze of righteous contempt and accusation throughout, whilst backing him up dutifully to the denouement.  Three great male cinema heroes for the current age…

Three lifies to finish, Vanessa on the Couch 1,2 and 3.

 

vanessa couch1

 

vanessa couch2

 

vanessa couch3

 

Blackpaint

20.04.15

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