Blackpaint 519 – Agnes, Auerbach, Ten and Patti Again


Master John, NPG

These fantastic paintings by “Master John” or from his workshop – whoever he was.  Not Holbein for sure, but brilliant. I think.

master john 2

 

master john 1

Patti Smith, Just Kids

This is turning out to be a fascinating read; she completely confounds your expectations.  I thought she’d come across angry, tough, scathing – punk; not at all.  She’s sensitive, kindly, vulnerable, a bit pretentious, a bit awkward.  She knew everyone, remembers everything.  It’s a great companion and contrast to Viv Albertine’s book, which is also great in a different way.

Lines for Agnes, exhibition and discussion at Marylebone Church

Attended this last Saturday.  A small exhibition of small paintings with some perceived relationship to Agnes Martin; minimal but not minimalist, somewhat geometric, patterns or colour fields darkening at bottom…  One speaker mentioned the problem of taking too much out; erasing until you have nothing left.

It struck me that there are at least two completely opposite tendencies in abstract painting – or maybe just painting – with one going towards the erasure of everything, the other chucking in the kitchen sink.  One end is occupied by Agnes Martin, the other by, say, Appel or, if figurative, early Auerbach.  It’s a spectrum of course.  Won’t pursue this further, since it has already involved me in one heated argument.

Auerbach, Tate Britain

Since I’ve mentioned him,   I’ve been to the exhibition for the third – or is it fourth? – time today.  First, I noticed that the one with the red “worms” crawling across it; they look as if they are squeezed straight from the tube.  There’s a sort of broken shelf of paint built up under them, and it’s tempting to think that they would have simply fallen off without this shelf.  As for ” Building Site, Earls Court” (1953), I’ve realised what that black mass reminds me of – black olives, trodden into an oily mash.

“Ten”, SLWA, Gerald Moore Gallery, Eltham College, until 6th December

marion1

Marion Jones

“SLWA” stands for South London Women Artists – although with a couple of possible exceptions, these are paintings by artists who happen to be women – no feminist themes as far as I could make out.  I have to declare an interest; the above very excellent painting is one of my partner’s.  There are other good works, but you’ll have to go along to see those.

Bergman, The Passion of Anna

Another highly fraught piece starring Max von Sydow and Liv Ullman; again, it’s set on an island.  Three out of four of the films in the Bergman box set I bought are set on an island – and I’ve got an idea some others of his are also island-bound.  I’ll investigate and speculate further on this – no doubt it’s well known and someone’s already done a thesis on it.

Haven’t completed any new paintings this week, so here are four of my recent life drawings – I think I’ve captured a good likeness….

 

drawings 4

 

drawings 3

 

drawings 2

 

drawings1

Blackpaint

8.11.15

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