Blackpaint 534 – Tom, Dick, Brussels and Sprout


Jessie Buckley as Marya Bolkonskaya (War and Peace)

Marya-Bolkonskaya.

The eyes, the hair, the frown – she’s straight out of a Giotto painting.

giotto2

giotto

Now this terrific adaptation has run its course and been replaced by the altogether inferior “Night Manager”, an updated Le Carre novel.  Updated, but still very dated; all these seedy English ex-military types calling each other “dear heart”, clipped sentences, languid beauties lounging about, setting manly English hearts beating; Tom Hiddleston needs to get back to working with Joanna Hogg (Archipelago, Unrelated, The Exhibition) where he’ll be properly stretched – I think he’s too good for this.  Why would he want to appear in a prime time prestige TV serialisation, when he could be in obscure art films, showing at the Ritzy or the ICA?

The Brussels Town Museum (in the old square near Town Hall)

little men

Seen their cousins in a wood carving of the Death of the Virgin in the Victoria and Albert, London.

lion

Bashful lion hiding his shield on stairway.

 

bruegel hoist

Where have I seen one of these before?  Bruegel’s “Big Babel”, below.

 

bruegel babel

See it?  Third storey up, on the right.

 

skinny knight

Skinny armour.

A Life of Philip K Dick – The Man who Remembered the Future (Anthony Peake)

Dick

 

I always thought that Dick wrote brilliant short stories and crap novels (with one or two exceptions); I would have said that his shorts were nearly up there with Ray Bradbury.  It seems from this fascinating book, however, that it wasn’t all imagination.  Many of his main themes – “precognition” (telling the future), simulacra, parallel universes and time flows, false memories, half – death, religious messiahs, government/corporate conspiracies – were extensions of his own beliefs; he thought it was all happening to him, often simultaneously.  Only the (outlandish) names are altered.  An example: “Horselover Fat” in Valis.  Horselover=Philhippus (Greek, sort of); Fat= Dick in German.  Maybe the thinness and rambling nature of his longer texts lend themselves in some way to film versions (Blade Runner, Total Recall, the Minority Report, and now the Man in the High Castle) – great bones, not too much flesh, allowing plenty of interpretive freedom.

My favourite Dick stories:  Pay for the Printer, The Days of Perky Pat.  Novel: Now Wait for Last Year.

 

Hockney museum

David Hockney, Man in a Museum (or You’re in the Wrong Movie). 1962

“Bare Life”, London Artists Working from Life, 1950 – 1980 (Hirmer, 2014)

This catalogue of a German exhibition in 2014, contains brilliant repros of works by Auerbach, Kossoff, Bacon, Hockney, Freud, Kitaj, Uglow, Coldstream, Michael Andrews, Hamilton, Allen Jones and Nigel Henderson.  There are several essays, one of which, by EJ Gillen, mentions the dispute in 1959 over the compulsory  drawing from nature classes at the Royal College of Art: “Ten unruly students were put on probation and eventually expelled.  Among these was Allen Jones, who argued in a 1968 satire entitled Life Class that drawing from nature had become obsolete since photography was able to reproduce human forms perfectly.”  I wonder what the state of play is now in the art colleges, as regards “drawing from nature”; can anyone tell me?

Looking-Towards-Mornington-Crescent-Station---Night

Frank Auerbach, Looking Towards Mornington Crescent Station, Night, 1972 – 3

 

If you’re in London during the next two weeks, visit – 

sprout

angel3

Angel 3 (again)

Blackpaint

26/02/16

 

 

 

 

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