Blackpaint 544 – Still Life, Bare Life, Sokurov and CoBrA


Still Life

I’ve decided to abandon my usual practice of putting my own paintings at the end of the blog and to stick them at the beginning instead – just in case the reader gets fed up and goes elsewhere online before reaching my pictures.

still life

Still Life with Pomegranates – yes, I know, not the usual so I made some changes…

still life with pomegranate new

Still Life with Pomegranate – now that’s more like it!

 

“Bare Life” Catalogue (Hirmer)

In an  essay by Colin Wiggins, a similarity is identified between Freud’s “Big Man” and the Ingres portrait of Madame Moitessier – they are both below.  It’s the pose.

Ingres Moitessier

Ingres, Portrait of Madame Moitessier – he was eleven years painting this…

 

Freud big man

Lucian Freud, The Big Man

Hmm – and between Degas and Bacon (spine):

degas after the bath 2

Degas, After the Bath

Bacon three figures and a portrait

Bacon, Three Figures and a Portrait 

Well, yes, but marginal similarity at most. However, Wiggins is suggesting only a marginal, perhaps even subliminal influence, so fair enough.

The Sun, (dir Alexander Sokurov, 2004)

Described as a “companion piece to Downfall” on the DVD cover, this is a mesmerising portrait of Hirohito, an impotent god imprisoned by his destiny in his bunker, as WWII grinds to an end, with the destruction of Tokyo by Flying Fortresses and the cities destroyed by the atomic bombs.  There is a dream sequence in which the American bombers soar over Japan in the form of fire-breathing, flying fish.  But so far (I still have some to go), it seems unlike all the other Sokurovs I’ve seen – can’t quite put my finger on it…

The-Sun-Alexandr-Sokurov

 

downfall2

Having mentioned “Downfall”, I felt it was an opportunity to include my favourite German helmet shot from the film.  Traudl tries to blend in with the Wehrmacht and somehow manages to filter through the Russian troops…

CoBrA Museum, Amstelveen, Netherlands

This great museum is in the suburbs of Amsterdam, in a nondescript housing and shopping precinct that reminded me of Swanley in Kent (also Swindon, and no doubt many other towns which may or may not begin with “Sw”); I only wish Swanley had such a collection.

The thousands of regular readers of this blog will be familiar with CoBrA (Copenhagen, Brussels, Amsterdam, the home cities of the founders of the group) and its leading painters; Asger Jorn, and Karel Appel.  Here are works by them and some of the lesser-known artists of the group:

cobra1

Yellow Ochre Moon, Eugene Brands

 

cobra2

Village Scene, Lucebert (1962)

 

cobra3

Falling Sun, Carl-Henning Pedersen (1951)

 

cobra6

Red Mask, Egell Jacobsen

cobra7

Two Birds, Karel Appel

 

cobra8

The Fake Laugh (Tragi-Comic Image), Asger Jorn

 

cobra9

The Intermediate Reserve, Jorn

 

cobra10

The Spectators and the Assassin from Lurs, Jorn

 

cobra11

Harlequin, Jan Nieuwenhuijs

One important idea held by the group was the quite common notion that children see the world in a superior way to adults, who are jaded and corrupted and curbed by experience and socialisation; in childhood, there is some kind of direct access to the essence, which dissipates as we grow.  So, back to painting like the kids – a hopeless task, of course, but I think it produced a certain freshness and originality in their work.

See also recent blog with Appel stage settings and costumes from The Magic Flute and Noah, also at the CoBrA museum.

Blackpaint

7.5.16

 

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