Blackpaint 588 – Fundamental! Wolfie and Hockers at the Tates


Wolfgang Tillmans, Tate Modern

Huge blown-up photos on the walls, but also desktops full of his “snaps” (and pro-Remain, anti-Brexit propaganda posters/leaflets he presumably produced).  He calls each room an “installation”, the nature of which he expounds in the booklet, to avoid explanations on the walls.  My favourite below:

 

tillmans-1

Try to see that right arm and hand as a leg and foot and you get a totally different image…

Additionally, you can see –

A drainpipe and drainhole, with water running down through soggy litter; an amazing starscape over a dark hillside; a male bumhole close-up; a close-up of a vagina which appears to be that of a transsexual, judging by the hairy legs (echo of the famous Courbet picture); several large, beautiful colour field abstracts, red and ochre mainly, recalling Hoyland or more, Diebenkorn’s desert colours combined with his Ocean Park structures; crystalline car headlight; that strange shape of the swimmer picking his foot; enormous, rather touching blow-ups of delicate weeds sprouting in his backyard – and a simple image of a man in a blue T shirt, that is startlingly clear and 3D, when looked back on through the arch, from a short distance – try it.  And, of course, those great ones of pigment threads, slowly floating and whirling in fluid.  Great exhibition; Tillmans can find beauty in strange places – drains, for example.  Not sure about the other apertures.

Hockney, Tate Britain

After the big RA Hockney exhibition of 2012, I was expecting a bit of deja-vu; there was a bit, but I was surprised at how informative and enjoyable the Tate show is.  I’ve been twice, on a Saturday and a Thursday, and both times, the Tate was rammed with white-haired, retired schoolteacher types, along with the tourists and students.  Hockney is definitely a Treasure of Middle England, comparable, I guess, to Alan Bennett in his fanbase.

I reckon there are about ten or twelve different “sections”, some of them being distinct phases in his painting, others different areas of activity; here’s my breakdown of the show:

  • The earliest real Hockneys from the early 60s – textured, splashy paint, cartoon boys, areas of raw linen, words and letters (cf.Johns), jokey content – Boys Together, Typhoo Tea, toothpaste, the boys speeding towards Italy (see below).  I can’t get away from seeing a similarity to Bacon in the brushwork, splatters and bare surfaces here, if not the content (although one of the shower ones could be).

hockney-italy

Flight to Italy

  • Next, the Kitaj-like ones, where Hockney makes well-drawn, naturalistic figures, often alongside flat cartoon characters (see below).  Various palm tree and pyramid pieces, chaps in pants on bed or in shower.

Hockney, David; Man in a Museum (or You're in the Wrong Movie); British Council Collection; http://www.artuk.org/artworks/man-in-a-museum-or-youre-in-the-wrong-movie-176794

Man in a Museum (You’re in the Wrong Movie)

  • Swimming pools, snakey surface reflections, Bigger Splash of course.
  • A roomful of drawings, from early “cartoons” through beautifully, sparingly executed portraits, Kitaj, Kasmin etc.
  • Raw red USA desert canyons and Yorkshire Dales – hills and winding roads, flattened against invisible glass of the surface, shining with vivid colours, which I thought were a bit much in 2012, but I see from a TV film on Hockney last night are pretty accurate.  That one of hawthorn trees with maggot blossoms and the Van Gogh pink and grey sky..
  • A room of beautifully drawn but underwhelming drawings of woodland scenes.
  • The static portraits of Ossie Clark, Celia Birtwell, Henry Geldzahler, Hockney’s parents  et al; they recall della Francesca in the respect that the characters appear self-absorbed, or at least, uninvolved with each other.  There is a della Francesca on the wall behind Geldzahler, Baptism of Christ, I think.
  • Piercingly psychedelic verandahs, blue with red flowerpots, overlooking fiercely green lawns.  Those flowerpots really cut through.
  • A roomful of his composite videos of wood and meadowland in different seasons, taken by a battery of cameras from a moving car.
  • Ipad drawings and pictures he has worked up from them.
  • The psychedelic woods and landscapes from the 2012 exhibition.

I like the early stuff best, but it’s an impressive body of work, to understate the case.

To finish, a series of quick life drawings done with a brush and black acrylic.  Picasso at Barcelona next time.

 

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Woman with Fan, 1 – 6

Blackpaint

26/2/17

 

 

 

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