Blow Up, dir.Antonioni (1966)
Saw this for the first time last night, having recently visited Maryon Park in Charlton, where the “murder” was committed. I love those swinging London films, especially if they’re directed by a foreigner – they get things slightly wrong, making the films even more quaint than the 60’s in London really were.. Nothing I can put my finger on, though. Fabulous location shots around South East London – instant nostalgia.
Vanessa Redgrave strives to convince us that she fancies photographer David Hemmings, going to the lengths of stripping off (top only, though) for him; we don’t see what happens next so maybe they just have tea and then she leaves, with the negatives of the murder that she came for.
Wait a minute – what’s that painting on the wall? Yes, it’s an Alan Davie!
Lighting not good here though.
Anyway, the film ends back in Maryon Park, with Hemmings watching a mimed tennis match (don’t ask, as they say), with Julian Chagrin and partner using imaginary racquets and an imaginary ball. Hemmings picks up the “ball” and mimes throwing it back – I take this to be a suggestion that the murder was imaginary too. But then he did go back to the park at night and saw the body… Maybe it was all a dream; it WAS the 60s after all.
No galleries open, of course, but I want to post, so just a few old pictures until I can get round to painting. Should be able to, with three months at least ahead.
Road to Damascus – very like Caravaggio, I think you’ll agree.
Figure Study 1
Figure Study 2
Desperate Housewives
Old Cambridge Circus
Blackpaint
29th March 2020
Tags: Antonioni, Blow Up, Caravaggio, Desperate Housewives, Julian Chagrin, Vanessa Redgrave
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