Posts Tagged ‘Andre Kertesz’

Blackpaint 459 – Martial, Andre and Oscar at the Pompidou

August 22, 2014

Martial Raysse at the Pompidou Centre

I’d never heard of this artist until now; I suppose he’s a sort of Richard Hamilton – pop art, ideas man, always changing, cutting edge.  His early stuff is a combination of the matt face portraits along the lines of Warhol, often combined with neon bits (see below).  He also did a lot of neon sculptures;   A painting with the corner missing, replaced with a piece of neon that makes a corner frame.  the colours are vivid, the pictures striking and witty.

Then, paintings with additions, such as a set of antlers, becoming more extensive, until at least half sculpture – Stella, or maybe Bill Woodrow.

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Later, he did massive canvases, peopled by partying mobs of strange, incongruous people in bright, almost painfully bright colours.  This phase reminds me of the sort of paintings that appeared in the recent Saatchi exhibition; strange groups doing strange, suggestive things (see previous Blackpaint).  A completely bonkers short film called “Jesus Cola”, in which a professor is a sort of quiz contestant, answering questions, usually with an emphatic “NON!”  Cut to youths playing at cowboys, one “shooting” all the others with a toy pistol, to what sounded like Dylan’s “Oxford Town” speeded up to the Nth degree.

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Some ceramics, mobiles made from clothes pegs etc., like sinister charms hung from trees in “Blair Witch” or “True Detective” and the odd painting of banal, everyday articles like the basket of fruit above.  And then the stranger and stranger ensemble paintings in vile colours.

He’s the most expensive French living artist, apparently; a real find for me.

Pompidou permanent collection

Some real beauties in the permanent collection –   my favourites are:

Andre Kertesz photos of New York

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That’s a pigeon taking off.

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Reminds me of Brueghel.

Marc Chagall’s bride and groom.

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Asger Jorn (of course)

jorn pomp

 

Karel Appel (of course)

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And this fantastic portrait of Brancusi by Kokoschka.

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OK, enough Pompidou for now; more next blog.

A Separation (cont.)

I was halfway through when I wrote about this film last week; it got even better in the second half, with a potential murder accusation (of an unborn child, under Iranian law).  Ended inconclusively, I think without a taking of sides; could be wrong though – I’d need a rigorous feminist analysis to be sure.

Like Someone in Love

Kiarostami film, set in Japan, concerning an odd triangle of young student/prostitute, elderly professor/client and boyfriend/mechanic/thug.  The last is unaware of his girlfriend’s job; the film concerns the attempts of the girl and the client to keep it that way.  Like “a Separation”, it ends inconclusively – but no other similarities, apart from the nationality of the directors.

The tone of the film is indeterminate; at times, I thought I was watching a gentle comedy – the elderly client is a benign grandfatherly type, who only wants company for dinner and someone to listen to Ella Fitzgerald with him.  He eschews the opportunity to sleep with the girl.   Then it gets darker as he loses control of the situation with the boyfriend.

The night scenes from a taxi in the Japanese city – Tokyo? – are beautifully photographed but it’s not breathtaking, like “The Wind Will Carry Us”, for example; the only other Kiarostami film I know.  Reminded me of “I’m in the Mood for Love”, maybe, but probably its just the use of a torch song title.

 

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Theory Split 2

 

 

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Theory Split 2 

Blackpaint, 22.08.14

 

 

 

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