Posts Tagged ‘Chaldon’

Blackpaint 236

December 29, 2010

Review of the Year (Part 1)

OK, all the swanky broadsheet newspapers and TV culture programmes do an annual review, so Blackpaint’s readers are required to at least read the heading before – heading off in a more interesting direction.  Be reassured, however; I will only mention one thing under each heading.  So, assuming one of you is still reading, here goes:

Nov. 2009 – Balka box at Tate Modern.  Thick, felt blackness on your own in the morning; hordes of Spanish kids with phone cameras in the afternoon.

Dec. 2009 – Turner Prize Show.  Lucy Skaer’s whale skeleton and the powdered plane by Roger Hioorns – sorry, that’s two.

Dec – Mexican prints at British Museum.  Influence of Siqueiros on Pollock.

Dec – Updahl at Kings Place.  Purple skies over the fjords, amidst the corporate hospitality.

Dec – Photography at British Library.  Those weirdly humanoid X rays of frogs.

Jan 2010 – Photographers Gallery; Goldberg etc.  Afrikaaner boys on horseback with Easter Island expressions.

Jan – Chaldon Mural.  Demons like aliens, in Happy Valley.

Jan – Chris Ofili, Tate Britain.  The hanged man on the right of the picture.

Feb 2010 – Van Doesburg, Tate Modern.  Diagonal or square?  VD says former, Mondrian latter.

Feb – Arshile Gorky, TM.  Had no idea how influential he was on the Abstract Expressionists; didn’t like those fluffy white backgrounds, though.

Feb – Brighton Art Gallery.  The Christopher Wood and the Mods and (especially) Rockers photos.  Two again, sorry.

Feb – “Michelangelo’s Dream”, Courtauld.  Phaeton’s chariot and horses plummeting down.

March 2010 – Threshold; drawings at Whitechapel Gallery, curated by Paula Rego.  That Sutherland drooping, segmented penis on yellow background.  OK, I know it isn’t, but it looks like it.

March – Celeste Boursier – Mougenot at Barbican.  Birds on the guitar strings, everyone loving it; impossible name, though.

March – Paul Nash at Dulwich.  Overkill for me – but I love the Thames Estuary air war.

April 2010 – History of the World in 100 0bjects, British Museum.  The tiny carved reindeer, with no purpose other than to look good.

April – Shobdon Tympanum, V & A.  Wild, hippy woman in sailor top, who turned out to be Jesus enthroned in majesty.  Strangest British object I’ve ever seen (but see Chaldon, above).

April – Pompidou Centre, Paris.  Too much fantastic stuff.  The feminist videos stick in my mind, especially Hannah Wilke’s.

April – Musee d’Orsay, Paris.  Several crap paintings by genius painters (Van Gogh, Cezanne…)

April – Museum of Modern Art, Paris.  Fabulous Bonnards, Marthe in bath.

April – Tate Modern, permanent collection.  Sarmanto, disappearing pictures.

April – Kingdom of Ife, British Museum.  Mix of realism and stylisation in single sculptures – and those heads.

April – Christian Kobke at the National Gallery.  The roof painting, seven -eighths sky.

(Peep Show on now; this continued tomorrow).

Blackpaint

29.12.10

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Blackpaint 198

September 24, 2010

Giotto

I’m looking at the Anne Mueller von der Haegen book on G. in the “Masters of Italian Art” series – those reds and blues are just beautiful.  The blue has a touch of green showing through and the reds are actually more dark orange, shading down to raw sienna almost.  The Last Judgement fresco in the Cappella degli Scrovegni in Padua strikes me as the best today – tomorrow it’ll be a different one.  On the right,  a fat blue devil stuffs the damned into his mouth as they cascade down to him as if washed there by rivers of blood and fire.  Here and there, men and women dangle naked from gallows in various recesses of hell, two upside-down and facing each other, as if having a conversation.  Another is horizontal on a turning spit.

Opposite, beneath an assembly of saints and martyrs, little, squat, bewildered people are rising naked from the ground or their tombs, as if from trunks.  they turn reverently, arms raised in supplication.

way up, on either side of the window, armoured angels clutch the edges of a red scroll, very much like giant sticks of rock.  Staggering, beautiful, weird; I will certainly be returning to these pictures again and again.

Chaldon

By way of contrast, I visited the church at Chaldon (1086), near Coulsdon in Surrey, to see that mural again (see Blackpaint 44).  Dark red/purple background, white figures that I suppose may once have been painted, and those strange, huge, big -eyed, three – toed demons that Eric Von Daniken would certainly have selected for his “Was God a Spaceman?” books, back in the 70’s, 80’s or whenever it was.

Tate Britain rehangs

That fantastic St. Ives room at the above – with the red and black Hilton, the black and white sand Blow, the Lanyons – green and blue water pulsing through them – the black Scott and the penis salt pots, the exploding black octopus Alan Davies, the lime green yellow Heron with the ingots showing through – all great, but they’ve been there over a year (except for the Bryan Wynter that was changed so that “Riverbed” could go to St.Ives). 

Why don’t they change a couple of the paintings every 2 or 3 weeks?  They must have several by each artist, maybe dozens.  Surely it can’t be too much work to change a few paintings regularly – where do they keep them; down below in the cellar?  Come on, more paintings by the same people, give the collections a proper workout and let the people see them.  Same goes for Tate Modern, and for all I know, for National Gallery too.  If there are problems with this, I would love to hear them.

Well done by the way; great paintings, free of charge – but let’s see more!

Basquiat (see Blackpaint 46 and 70)

I think Robert Hughes really screwed up badly by misjudging this artist as a lightweight, who only made it because he was black and in the right place, etc.  Lovely sense of colour and design, great drama, the words, the structures and textures; they are colour bombs, remind me of Miro Spain posters and Appel, a bit.  Not as “good” (rich, complex, sustaining) as either, but way up there nevertheless.

Hereward again – Blackpaint

24.09.10

Blackpaint 44

January 20, 2010

Chaldon Church (of St Peter and St Paul)

In Happy Valley, near Coulsdon South.  It has an amazing 12th century mural, done, apparently by an itinerant monk (shades of Andrei Rublev) and uncovered in the 19th century when whitewash was removed.  It is a sort of brownish red and white, and consisits of four sections with a ladder running up the middle and a line of “cloud” dividing the upper two from the lower.  Huge demons are doing various nasty things to sinners, who are dodgy tradesmen (walking a spiked bridge) and representatives of the Seven Deadly Sins.  On the left, a demon is boiling souls in a cauldron.  Up top, the Archangel Michael is holding the scales to weigh souls, while the devil has his hand on them, trying to weigh them down.  Next door, Christ is thrusting a staff(?) into a prostrate Devil’s mouth (all action is taking place simultaneously, like those mediaeval Crucifixion scenes, or Lives of the Saints).  A host of souls are climbing or falling from the ladder.  There is a Tree of Life in the right panels with a serpent in the branches – and much more.

I’ve never seen anything in a similar style – the demons are like something out of Von Danniken – remember him? – and I can only compare its strangeness to that of the Shobdon Tympanum (see Blackpaint 17).

Does anyone know why Michael is a saint?  He’s an archangel, a supernatural being, whereas all the others, I think, were human, martyrs for instance.

Van Gogh

On TV last night, I heard that VG completed 78 paintings in two months, towards the time of his death.  78 paintings in about 60 days…

Listening to Dick Gaughan, the John Maclean March from “No More Forever”.

“Och Aye man, that’s Johnnie noo

That’s him there, the bonnie fechter,

Lenin’s his fair lad and Leibknecht’s his mate”.

Blackpaint

20.01.10