Posts Tagged ‘Dorothy Cross’

Blackpaint 162

July 5, 2010

Laura Cumming on Banner

Laura Cumming (Observer, Sunday) says the Harrier is “a predator to the nearby prey of a Sepecat Jaguar lying beached and inverted on the floor.  Both planes are undeniably magnificent, powerful, menacing; and stalled.”  She’s wrong about the Harrier – it’s a caught fish, a skate-ray-shark type thing, hanging dead, waiting to be gutted.  The whole exhibit conveys impotence, not power or menace, although to be fair, she does end by saying the planes, exhibited as they are, “are reduced to – admittedly spectacular – curiosities.”

Dorothy Cross

Reading a catalogue the other day, I came across an artefact by this artist, entitled “Dishes”.  Made in 1992, it consisted of small enamel plates, a bowl and a cup, the last with a cow’s teat stretched over the top.  The catalogue stated that since 92, “she has employed udders on numerous occasions”.

This led me to consider the various odd materials that artists have employed and to want to make a list of them (I’m aware that list making is a classic obsessive activity and I’ve done a few already, so this will join the list of things which I won’t be doing in future in this blog).

Anyway-

  • Dead Animals.  Damien Hirst occurred to me first, but the shark and the sheep and the cow are themselves, albeit “mediated” by Hirst – he hasn’t made anything out of them.  if I included them, I’d have to include Fiona Banner’s planes and really, all other readymades.  I suppose the flies and the rotting meat are a composite, so they count, as do the butterflies. 
  • Blood.  Mark Quinn, Hermann Nitsch and the Vienna Actionists.
  • Sand, sacking and suchlike.  Burri, Tapies, Nicolson, Sandra Blow.
  • Piles of powdered pigment.  Kapoor.
  •  Rotting flowers, fruit and vegetables.  Anya Gallacio.
  • Palm trees, earth, straw.  Anselm Kiefer.
  • Oil.  That Richard Wilson installation that Saatchi exhibited.
  • Elephant dung.  Ofili, of course.
  • Faeces.  Terence  Koh, Piero Manzoni (allegedly – but who knows whether it was really in the tins?) and, no doubt, others.
  • Urine.  Helen Chadwick’s pissholes in the snow, or “Piss Flowers”.
  • all those bits and pieces used by “Art Informel” and Arte Povera artists, the collagists like Schwitters, etc.
  • Fat and felt.  No prizes.

In fact, I’m going to stop here, because the list becomes ridiculous, when you include sculpture and installation.

Necrotic Art

Photos of corpses by Sally Mann, photo of Damien posing with a head, dead mother  of Dorothy Todd  in the turtle burners’ Portrait Prize, plus the organic items listed above, lead me to wonder if body parts or even whole bodies might one day be exhibited as art, either as readymades or material.  After all, mummies, Lindow Man, dried-out corpses can all be seen in the British Museum and a host of other institutions – but they are “science”, medicine maybe, anthropology at least.  I suppose you could argue that Von Hagen is already doing it with his plastination roadshow, which undeniably has artistic as well as scientific aspects.  Plastination, however, prevents decomposition and sanitises (so I’ve heard).  I’m sure that considerations of decency and good taste would prevail……

Blackpaint

05.07.10 

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