Posts Tagged ‘Elvis’

Blackpaint 539 – the Firm of Repin, Serov, Vrubel, Astrup, and Vinyl

April 2, 2016

Russia and the Arts: the age of Tolstoy and Tchaikovsky ( National Portrait Gallery)

Lovely show.  I’ve started with Repin, who is the most famous, but I think Serov and Vrubel run him pretty close.

russia turgenev

Repin, Turgenev – great hands, aren’t they?

 

russia repin stasov

Repin, Stasov – surely Michael Gambon in a Russian shirt..

russia countess.

Repin, Baroness Hildebrandt – love the red star hat; probably not a revolutionary though…

Serov, Madame Ermolova – Really impressive full-length painting of this theatrical woman in a jet-black dress; I thought Singer Sargent at first, but now I think maybe more like Toulouse-Lautrec in execution.  However, can’t find a picture, so you will have to go see.

Russia Vrubel

Vrubel, Mamontov – Jonathan Jones reckons it’s sort of pre-Cubist, the angles and especially the shirtfront.  I think it looks like a Sickert, or maybe even Ruskin Spear.

 

Russia Morozov

Serov again, Morozov – reminds me of a Scottish Colourist, Fergusson or Cadell, with those flowers behind.

Nightcrawler (2013), Dan Gilroy

Gyllenhaal’s eyes must surely have been “enhanced”; They looked too big to be real to me.  He reminded me of a meerkat.  Obvious comparisons: Jim Carrey in “Cable Guy” and maybe Robin Williams in “One Hour Photo”.  I’d be interested to know just how far they were pushing it; are there really TV stations in LA that would show footage of murder victims in a private house, filmed before the arrival of the police (even with faces and wounds pixillated)?

Vinyl

I liked the comment about Elvis, singing Polk Salad Annie in Vegas: “He’s singing about lettuce…”.  It’s way by far the best thing on TV at the moment.  The man who played Elvis in the white- suited Vegas era was brilliant.

Art of Scandinavia, BBC4

What happened to the 20th century?  The Denmark episode dealt with LEGO and furniture and the Danes’ supposed love for cosy miniaturism in architecture – no mention of Asger Jorn, Per Kirkeby, CoBrA…

Swedish episode was better;  Zorn, Gan(?) – but then, more furniture and design, model housing for 30’s factory workers…  The only 21st century art mentioned was the graffiti artist who covers everything in black swirls.  More painting in future, please (and sculpture, I suppose).

Nikolai Astrup (Dulwich Picture Gallery

Norwegian painter, died 1928.

astrup woodcut

My first impression on entering the gallery was green – and brown and blue, but mostly green.  The canvases are nearly all landscapes, or lakescapes, with trees and they are  crowded.  There are blossoms that recall Hockney’s “maggot” hawthorns from his huge show a few years ago; there is a breast-shaped dark mountain that pops up in several pictures.  Where there are people, they are mostly women or girls in long peasant dresses that remind me of Munch’s figures.  In the last room, the green is relieved a little by yellow, in a series of pictures depicting enormous bonfires in the dusk.  His brushwork is somewhat rough and blurry – one of the most effective pictures was of Monet-like blurred trees in twilight with a couple of lanterns glowing in the background.

He also did woodcuts, which show a distinct Japanese influence (and a much lighter green), like the one above.

 

St. Anthony 1

St. Anthony and his Pig

Blackpaint

02.04.16

 

 

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Blackpaint 129

May 8, 2010

Bomberg (again)

Just to demonstrate how wrong your (actually my) assumptions can be, I read on Wikipedia that the first version of his “Sappers at Work” was rejected as a “Futurist abortion” and he came up with a more figurative one, presumably based on the one hanging in the Tate Modern (Blackpaint 128).

Actually, Bomberg is rapidly becoming one of my heroes, for the following reasons:

  • I like his paintings.
  • His work, hung outside a gallery in Chelsea, frightened the horses that drew the 29 bus.
  • He was one of the most “brutally excluded” British artists ever – expelled from the Slade in 1913 for being too avant-garde, unable to get a teaching job at an art school after WW11 – Wikipedia doesn’t explain this, which is odd because his paintings by then were far more conventional, although brilliant.
  • He died in poverty.

Guston

Philip Guston was another artist who comes to mind as one who turned from abstraction to figurative painting around 1970.  He was already an established and lionised figure of abstract expressionism and attracted deep hostility when he went figurative, rather like a jazz musician going “modern”, or Dylan going electric in 1966, was it?

Why the change?  Politics seems to be the answer.  with the Vietnam war in full swing, Nixon as president, the recent memory of the Chicago Democratic Convention, Guston felt he could no longer paint paintings about painting.  Hence the change, the cartoon figures, the big boots, KKK hoods, cigarettes, seas of blood, Nixon’s bandaged leg, prick nose, testicle cheeks.  The only thing which stayed similar, it seems to me, was the general “pinkness” of his paintings, pinks, reds and greys being distinctive (but by no means exclusive) in his abstracts.

Blackpaint, Election Day.

OK, that’s it, I’m fed up with art for today – so here in no particular order, my 10 favourite rock records.

  • 20 Flight Rock, Eddy Cochrane
  • Crazy Legs, Gene Vincent
  • Hot Dog Buddy Buddy, Bill Haley
  • Bye Bye Baby, Johnny Otis
  • Rave On, Buddy Holly
  • Whole Lotta Woman, Marvin Rainwater
  • That’s Alright Mama, Elvis
  • Round and Round, Chuck Berry
  • Down the Line, Jerry Lee Lewis
  • Midnight Shift, Buddy Holly
  • Ready Teddy, Little Richard

Alright, that’s eleven, but mine goes up to eleven.

Listening to all the above,

Blackpaint

From the Socialist Republic of Tooting

08.05.10