Posts Tagged ‘Ethel Schwabacher’

Blackpaint 583 – Ignored Women, Mahler and Bloom, Soutine and Schwabacher

January 22, 2017

London Art Fair

Finishes today (Sunday) unfortunately; below, a selection of the best paintings on view:

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John Minton

Medieval quality to this, somehow..

 

sutherland

Graham Sutherland (of course) – that blue, with the orange…

 

robin-denny

Robyn Denny three piece – before he went geometric/minimalist…

 

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Leigh Davis – just a fabulous little painting, touch of Lanyon, maybe?

 

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William Crozier – I love the dry, spiky roughness of his earlier work.  There was another one that I didn’t get a photo of, again with that fiery roughness; if you look at his images online, they are somehow gentler, more “at rest”; I guess they are later.

 

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A couple of Crozier watercolours, to illustrate what I mean by “at rest”.

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Audrey Grant

I love these rough portraits – there’s a bit of early Hockney there, and Nathan Oliviera and Manuel Neri (Bay Area, 60s ).

In addition to these were : a single flower in a vase against a grey/pink background by Euan Uglow; a beautiful yellow Craigie Aicheson; an Uglow-like dresser (cabinet, not person) by William Brooker;  a couple of unusual Ivon Hitchens – unusual, because they contained figures.  And the brilliant usual suspects, Allan Davie, Adrian Heath, Roger Hilton and a single Gillian Ayres, lozenge shaped and pink – or was it grey? – background.

Mahler, Ken Russell (1974)

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Robert Powell in the main role, strong resemblance to the real Mahler, judging by the photographs.  Great start; dream sequence of a blazing chalet, Georgina Hale (Alma Mahler) emerging, writhing, from a white cocoon on a rocky shore.  Some vigorously rendered Jewish stereotypes from the likes of Lee Montague, Miriam Karlin and John Bluthal as parents and family of the young Mahler – maybe a little too vigorous for today’s tastes – and Cosima Wagner (Antonia Ellis) , in a German helmet and black bondage bodice, in front of a giant sword, waving a whiplash and yelling commands at a timorous Mahler as he undergoes his conversion from Judaism to Christianity to further his career.  Are there swastikas?  I’m pretty sure there are, maybe carved in the rocks…no, just checked; there’s one on her backside.

I’m sure it happened exactly as Ken portrayed it.  Brings to mind the Nighttown scene in Ulysses, when the brothel madam Bella Cohen bullies the hapless Leopold Bloom, transformed as he is into one of Cohen’s girls…

The music, of course, is fantastic, although mainly, I think, from the first three symphonies, and Kindertotenlieder.

Soutine

At last, found a book on the weird and influential Chaim Soutine; it’s by Klaus H Carl and is published by Parkstone International.  The English is bizarre at times and Carl tends to regard the reader as a complete ignoramus – but the illustrations are great and it’s only a tenner (in Foyles).

Those bent faces and tables and pots, breakneck angles and steps in the landscapes, people walking leaning way over to one side – remind me of Sokurov’s “Mother and Son”.  And if you like texture, Soutine is your man.

Women AbExes

Another book, “Women of Abstract Expressionism”, Joan Marter (ed), Yale University Press 2016.  Based on a Denver exhibition, it documents a number of lesser-known, or ignored, women abexes, beyond Frankenthaler, Mitchell, Krasner, Hartigan and Elaine de Kooning.  I’ve mentioned Pat Passlof before; best of the rest as far as I’m concerned, are Perle Fine, Ethel Schwabacher, Deborah Remington and Mary Abbott.

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Ethel Schwabacher – Origins i, 1958

The American Scene – prints from Hopper to Pollock (Stephen Coppel, British Museum Press 2008)

The last book recommendation, this is being sold off cheaply at the British Museum, along with a number of other catalogues.  It has some fantastic stuff –  Grant Wood, James E Allen, Robert Gwathmey – well, they are mostly brilliant.  Also, they have the complete Kitaj prints for a fiver – or they did when I went.

One of mine to end with:

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Time and Place, No.7

Blackpaint

22/01/17