Posts Tagged ‘Gene Vincent’

Blackpaint 129

May 8, 2010

Bomberg (again)

Just to demonstrate how wrong your (actually my) assumptions can be, I read on Wikipedia that the first version of his “Sappers at Work” was rejected as a “Futurist abortion” and he came up with a more figurative one, presumably based on the one hanging in the Tate Modern (Blackpaint 128).

Actually, Bomberg is rapidly becoming one of my heroes, for the following reasons:

  • I like his paintings.
  • His work, hung outside a gallery in Chelsea, frightened the horses that drew the 29 bus.
  • He was one of the most “brutally excluded” British artists ever – expelled from the Slade in 1913 for being too avant-garde, unable to get a teaching job at an art school after WW11 – Wikipedia doesn’t explain this, which is odd because his paintings by then were far more conventional, although brilliant.
  • He died in poverty.

Guston

Philip Guston was another artist who comes to mind as one who turned from abstraction to figurative painting around 1970.  He was already an established and lionised figure of abstract expressionism and attracted deep hostility when he went figurative, rather like a jazz musician going “modern”, or Dylan going electric in 1966, was it?

Why the change?  Politics seems to be the answer.  with the Vietnam war in full swing, Nixon as president, the recent memory of the Chicago Democratic Convention, Guston felt he could no longer paint paintings about painting.  Hence the change, the cartoon figures, the big boots, KKK hoods, cigarettes, seas of blood, Nixon’s bandaged leg, prick nose, testicle cheeks.  The only thing which stayed similar, it seems to me, was the general “pinkness” of his paintings, pinks, reds and greys being distinctive (but by no means exclusive) in his abstracts.

Blackpaint, Election Day.

OK, that’s it, I’m fed up with art for today – so here in no particular order, my 10 favourite rock records.

  • 20 Flight Rock, Eddy Cochrane
  • Crazy Legs, Gene Vincent
  • Hot Dog Buddy Buddy, Bill Haley
  • Bye Bye Baby, Johnny Otis
  • Rave On, Buddy Holly
  • Whole Lotta Woman, Marvin Rainwater
  • That’s Alright Mama, Elvis
  • Round and Round, Chuck Berry
  • Down the Line, Jerry Lee Lewis
  • Midnight Shift, Buddy Holly
  • Ready Teddy, Little Richard

Alright, that’s eleven, but mine goes up to eleven.

Listening to all the above,

Blackpaint

From the Socialist Republic of Tooting

08.05.10

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Blackpaint 77

February 25, 2010

Courtauld Gallery

As promised yesterday, breakdown of the stuff in this brilliant gallery at the entrance to Somerset House on the Strand.

After Michelangelo, there was a room of Kandinskys, ranging from a “fluffy edged” one to sharp, geometric shapes.

Fauves – Derain, Dufy, Vlaminck, a  nude wife from Van Dongen, some boring Matisses.  A lovely, Matisse-like Ivon Hitchens in an uncharacteristic, square-ish shape.  Sketches from Seurat and Sisley, lots of white sky and blossom, I think.  Miniature figures on the sands from Boudin.

Cezanne – a few trees, a wooded lake (check the reflections – do they really go like that?), a St.Victoire, men in bar.

A couple of Gauguins, one of fields, a garish green – good from a distance.

Manet’s “Bar at the Folies Bergeres”, the one where the girl’s reflection is out of line and the bottles of Bass are on the bar (or is it Worthington?).  Also, a “Dejeuner sur L’herbe” – there must be several, I would think.

There’s a lovely Modigliani girl, best I’ve seen, and some great Degas, especially the black, grey and white woman with the umbrella.

Rubens – 6 or 8, a  sketch of the Deposition from the Cross, well, two actually, one with Christ upside-down and the other, the more famous one of him being lowered right way up.  In both, the man at top of cross has the white sheet in his teeth.  There is also the landscape with the stars.

And Van Gogh – Portrait with Bandaged Ear.

Downstairs, in the Gothic room, there is a triptych by the Master of Flemelles, Robert Campin, another Deposition in those cold, piercing Flemish/German colours.  In the corner is a picture which is crude and rather simple close up, but a work of great, colourful beauty from across the room.

So – it’s a brilliant collection.  Years ago, I used to work for Courtaulds in Norwich, making artificial silk,  running a set of power looms in a noisy weaving shed; but I suppose he’d already bought most of this stuff before that…

Boris Anrep

Not a familiar name to me, but I’ve walked over his work scores of times – he did the two mosaic landings at the National Gallery.  Among the Muses are Greta Garbo and Virginia Woolf, Bertrand Russell is there, Some chap climbing a pylon, A.lice in Wonderland for some reason, and the centrepiece, Churchill, fighting the monster Apollyon, I think.  They are well worth a look.

Listening to “Woman Love” by Gene Vincent:

“I went to the doctor, he said “Lord above!

You need a vaccination of woman love.

Let’s go, cats!” (guitar solo).

Blackpaint

25.02.10