Posts Tagged ‘Georgia O’Keefe’

Blackpaint 580 – The Best Exhibitions of the Year (and the worst…)

December 29, 2016

Compulsory Annual Review time

Kicking off with exhibitions, in order of merit (sort of):

Abstract Expressionism, RA

Room after room of masterpieces; the (first) red de Kooning and Joan Mitchell’s “Salut Tom” get my prize, but it’s all good stuff.

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Robert Rauschenberg, Tate Modern

Staggering – although I don’t think he’s a “modern Da Vinci”; his inventiveness is confined to the art world.  I loved everything except the bubbling mud bath.

rob-estate

Hieronymus Bosch, s’Hertegenbosch, Netherlands

Exploding with imagination and an exquisite painter.  Everything on sale in town has a “Bosch” trademark.

bosch john the baptist

Saul Leiter, Photographers Gallery/William Eggleston, National Portrait Gallery

Separate exhibitions but equally brilliant – by sticking them together, I get one more place on my top ten.  Leiter made me think of Cheever and Norman Rockwell; Eggleston of “Psycho” and Arbus.  But they are both much more than that…

saul postmen

Leiter

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Eggleston

Intrigue, James Ensor, RA

Surprisingly brilliant, amazingly varied – and still on, like AbEx and Rauschenberg.

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He does a scintillating vegetable and his skate is rather alarming (see below) – see also Chardin and Soutine for two other skates – but not a pair.

Ensor_TheSkate

William Kentridge, Whitechapel

I think it’s his flick book pictures I like best.

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Robert Motherwell, Bernard Jacobson Gallery

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Round the corner from the other AbExes at the RA, some lovely big pictures that were NOT from the “Requiem for the Spanish Civil War” group.

Etel Adnan, Sackler

Israeli artist; earlier pictures better, I think, reminiscent of de Stael.  Terrific colour and texture.

adnan2

Mary Heilmann, Whitechapel

Any other year, she would have been higher on the list.  I don’t like the spots and the nursery colours, however.

mary heilmann3

 

Russian Portraits, National Portrait Gallery

A revelation, before the Revolution (sorry).  Repin, Serov.. brilliant.

Russia Morozov

 

The list doesn’t include Baselitz, Paul Nash, Terence Donovan, Botticelli, Delacroix, Infinite Mix, Turner Prize (!), Saatchi Champagne Life…. what can you do?  An exceptionally brilliant year in every respect, except the US election, terrorist attacks, foreign wars, global warming…

Disappointing…

Georgia O’ Keefe at Tate Modern.  Well, not really – just don’t like her stuff generally (although I DO like the one below).

okmountain

Also disappointing…

Winifred Knights, Dulwich Picture Gallery

The Deluge 1920 Winifred Knights 1899-1947 Purchased with assistance from the Friends of the Tate Gallery 1989 http://www.tate.org.uk/art/work/T05532

Too mannered.And…

Wifredo Lam, Tate Modern

lam

Too black and white.  OK, films, museums, DVDs, theatre tomorrow.

lvg3

Cleveland Way, 82

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29/12/16

 

 

 

 

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Blackpaint 562 – O’Keefe, Caine, Keitel and Maradona

July 14, 2016

Georgia O’Keefe, Tate Modern

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Autumn Tree – the Maple

I’ve been to the O’Keefe exhibition and wasn’t keen, on the whole.  I think the trouble is with two things: firstly, the surfaces of her paintings – they’re too flat and dry, no texture.  They would do equally well as prints, it seems to me (I remember, we felt the same about Hopper).  Surface like Lempicka, even.  That’s a matter of taste, I suppose, and so is the other problem, which is really the subject matter.

As with “American Sublime” a few years back and a Samuel Palmer in the watercolour exhibition, I think some things aren’t meant to be painted.  Glorious sunsets, weird desert effects, they’re great in nature but mostly horrible on canvas.  Like those garish postcards that olden days people used to send home from Thailand or wherever they’d been on holiday, they don’t convey the real thing.  An exception is –

okmountain

The Mountain, New Mexico

Same thing goes for antelope skulls – the real things are fantastic objects in themselves; why turn them into detailed, accurate drawings (except to provide an accurate scientific record)?  Same thing should go for the flowers, but for some reason, I like those.

Anyway, I got “echoes” of a whole range of artists going round, some of them surprising:

Richard Hamilton – there were a couple of sheets of parchment-like paper, reminiscent of Hamilton’s early drawings of car fronts and fridges.

Luc Tuymans – grey/white sheets, tied or folded in the middle.

Marc/Macke – Lake George, Coat and Red (below)

oklake george

Black Mesa Landscape (below) reminded me of Lawren Harris, who paints mountains like distant white blancmanges.

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Generally,  I thought of Nolan’s and other Australian’s  renditions of landscape, Ayer’s Rock/Uluru for example.

Again generally, I got Mexican muralists for some reason.  The picture I liked best was Winter Road (below) – hardly typical.

okwinter road

 

Youth, Sorrentino (2015) DVD

What is Sorrentino doing?  He seems to be imitating the style of Terence Malick in the Tree of Life – but not doing it very well.  The only memorable image is that of the enormously-bellied hotel guest on the tennis court, propelling the ball into the air time and again with a sort of nimble, fat athleticism.  He’s supposed to be Maradona, apparently.

youth1

Fellini said that he’d chosen Donald Sutherland to play Casanova because the actor was wooden – Sorrentino perhaps chose Michael Caine for the same reason.  Caine never seems to be acting in anything I’ve seen him in; he just says his lines, with an occasional slight gesture towards emotion – anger, or grief, say – as an indication of what his character might be feeling.  He’s Michael Caine; why bother?  He does look a lot like Sorrentino regular Tony Servillo in this, though.  Harvey Keitel’s exit is hilarious.  The music – Simple Songs, was it? – is terrible.

It got excellent reviews and won some prizes; must take another look to see what I missed.

So, nothing good this week (including the “change” of government).  Stood all weekend in a Brixton street art fair with a bunch of my paintings and didn’t sell a single one.  Then I turned out this pinkish affair, which I include only to have something new in the blog.

wip

Work (not) in progress,

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