Posts Tagged ‘God’

Blackpaint 449 – Glassy Seas at the National, Harbours and Wrecks at St.Ives

June 6, 2014

National Gallery – the Basement

There’s a “new” room downstairs in the NG, open to the public on Wednesdays and Sundays; not new at all, of course, but newly opened up.  You go through to room 15 where the Turners and Claudes are, and downstairs from there.

It’s like the “B” List; everywhere you look, you see something that looks like a copy of a famous painting elsewhere (sometimes upstairs).  My guess is that they are not copies – they’re not THAT similar – but maybe done from some sort of template that was going the rounds.

There’s so much down there that it will take a couple of blogs at least – but here are some highlights:

The Workshop of the Master of the Female Half – Lengths; St. John on Patmos.  Lovely little painting, I thought with shades of Giorgione.

master-female-half-lengths-saint-john-patmos-NG717-fm

A big, cartoon-y Signorelli, The Circumcision.  Who is the evil -looking character in the headcloth?  Dodgy eyes, if ever I saw them.  Unfortunately, can’t find a good repro on line, so you will have to visit to see what I mean.

Zanobi Strozzi’s Annunciation.  Like Lippi maybe, but with an astonishing  Expressionist floor.

strozzi-annunciation-NG1406-fm

Fra Angelico, St. Romulus – another vivid little beauty.

Then, there are the lookalikes:

Mano d’Oggiono, Virgin and Child – that fat baby leaning forwards, arms outstretched, reminded me of the Christ in the Virgin of the Rocks, the one with the unhealthy looking baby making the blessing gesture.

Gio. di Nicola, an Anthony Abbot, just like the frowning Masaccio? one upstairs.

A St Catharine with a face just like Leonardo’s St. Anne.

Venusti, a “follower of Michelangelo”; a small Holy Family with a dark green background that reminded me of that fabulous Raphael with John the Baptist and a pope…

Then, there is Clays, a Dutch painter who does glassy green, calm seas, in the way you look to Cuyp for cows.

clays-ships-lying-dordrecht-NG815-fm

Loads more; its a great visit.

Tate St.Ives -Modern Art and St.Ives, International Exchanges 1915 – 1965

First, there are a lot of “old friends” here, if you go to the London Tates much:

Franz Kline’s Meryon, the giant black bridgehead;

Gorky’s Waterfall;

Helion’s colourful little abstract;

Winifred Nicholson’s “yellow patch” abstract from Tate B;

Lanyon’s Thermal and Wreck;

Hockney’s Third Love Painting;

The big, blue Clyfford Still – you know the one;

The Rothko, that yellow-green “window” one;

Ben Nicholson, Gabo, Moholy- Nagy, Van Doesberg, Margaret Mellis, all have geometrical pieces; and there’s an El Lissitsky, which is interesting,  in that it is the only painting or construction of this lot that contains an illusory (desk-shaped) 3D image.  Some of the others have depth, but it is created by layering.

lissitsky

Here are a few of the other treasures on view – again, I’ll need another blog to do justice to the exhibition;

de Kooning, Zot – a mini “Excavation”.

DeKooning, Zot, 1949,339

Alan Davie, Bird Singing; little, dirty – fantastic.

(c) Alan Davie; Supplied by The Public Catalogue Foundation

Roger Hilton, Grey day by the Sea.  So simple…couldn’t find a good one online.

William Scott, Harbour.

william scott st ives

Serge Poliakoff, Abstract Composition; Blue, brown, red, yellow.

poliakoff

 

And of course the Lanyon paintings…

Wreck 1963 by Peter Lanyon 1918-1964

Wreck, Peter Lanyon

Anyway, more on St.Ives and NG next blog.

Nineteen Eighty-Four

Struck again by Orwell’s concept of Doublethink, the ability to believe two absolutely contradictory things simultaneously – it seems to me that this is extremely common, perhaps even universal.  I know that I’m capable of it, and even comfortable with it.  Good example in the paper today, Richard Dawkins talking about people who dismiss the idea of Father Christmas as nonsense, but profess a belief in a supernatural god figure…

 

??????????

 

002

 Cornish Cave Paintings, Blackpaint

6th June 2014

 

 

 

 

 

Advertisements

Blackpaint 154

June 18, 2010

Portrayals of God in Western Art

As promised, comment on Andrew Graham-Dixon’s remark that Michelangelo was the first artist to portray God (ceiling of the Sistine Chapel, touching fingers with Adam):  Wikipedia says portrayals of God started in France in 12th century with “the hand of God”; then there was the Naples Bible showing God in the Burning Bush, addressing Moses presumably; then, in the Rohan Book of Hours.  It shows a 1489 picture by Perugino showing God; that beats Michelangelo by about 19 years (Sistine Chapel done 1508 – 1512).

This, however, is just typical blogger’s hair-splitting; even if Michelangelo’s wasn’t technically the first, it’s definitely the best likeness.

Royal Academy

Another AGD item, this time on the Culture Show; he seems to be on everything to do with art these days, and so does Grayson Perry.  No problem telling them apart, however – Perry has fair hair.

The item showed the judges of the Wollaston(?) Prize at their deliberations, trying to decide who should get the £25,000 prize for the most distinguished work in the show.  This should have been easy, as it was behind them on the wall; Gillian Ayres, of course.  They awarded it to Yinka Shonibare.

Damien Hirst

A re-run of an old South Bank Show from 2 or 3 years ago, with Melvin Bragg interviewing him at Toddington, the vast stately home he bought to turn into a gallery for his work and his collection.  I thought he was really eloquent about the sort of artist that he cheerfully admits he isn’t – the lonely, Van Gogh – type painter, who works in solitary agony, does everything for him/herself, to whom every work completed and sold “is like a little bit of their soul torn off”.

I have a number of bits of torn-off soul available….

Blackpaint

18.06.10

Listening to Willie Nelson, We Don’t Run.

“We don’t run, and we don’t compromise,

We don’t quit; we never do.

I look for love; I see it in your eyes-

The eyes of me, and the eyes of you”.

Yes I know, but it sounds great when Willie does it.