Posts Tagged ‘Helene Schjerfbeck’

Blackpaint 651- Annely Juda, Mary Ramsden, Helene Schjerfbeck and the Whole of South America

August 12, 2019

Annely Juda – Summer Exhibition until 30th August

A sort of retrospective of AJ artists, leaning towards geometric abstraction, I guess (see examples below) – but also figurative and sculpture; Hockney, Caro, Kossoff, Roger Ackling, et al.  A selection follows, not necessarily the best – although I like the Shiraishi red zips on grey – but giving some idea of range.

 

Alan Green – White over Red/Violet 

The title makes sense in the gallery, but not in this photo, where the subtleties of colour are lost, rather.

 

Yuko Shiraishi – Boulevard No.2

 

Sigrid Holmwood – Land of Cockaigne

Seen her work before in the Saatchi Gallery; the cartoonish quality is almost a Saatchi house style, it seems to me.  I think a faint hint of early Sigmar Polke too…

 

Leon Kossoff 

Didn’t get the title of this, but that building looks really familiar.  John Berger’s occasional correspondence with Kossoff about drawing is an interesting read.

 

Mary Ramsden at Pilar Corrias, Eastcastle Street W1

Sorry to say that this exhibition finished on 9th August (I didn’t check the dates before I went on holiday); I was so impressed with the paintings, though, that I thought it was worth uploading a few – you can always check her website.  Colours remind me a little of Mary Heillman, contents and the sort of roughness of the paint suggest Roy Oxlade maybe?  to me anyway; maybe it’s the orange coffee cup ring on the blue painting.

 

 

 

 

Urban Impulses 1959 – 2016; Latin American Photography, Photographers Gallery until 6th October 

Mostly Mexico, I think, but most other LA countries represented.  Demonstrations, police beating students, students beating police, murders, accidents, bars, transvestites, brothels, dancers, artistes, beaches, posers, posters, shopfronts, mannikins, lovers, cinemas, walls – I have avoided the sensational and given some examples of the Colombian Beatriz Jaramillo’s “Zocalo” series of vernacular architectural features.  As usual at the PG, fantastic and varied work and a thick, free booklet.

 

Not sure if these are also Jaramillo’s; they were next in line.

 

Helene Schjerfbeck: RA until 27th October

By way of total contrast to the other exhibitions I’ve mentioned is this one of the Finnish artist (Swedish speaking, according to the booklet – is that significant?), 1862 – 1946.  A range of her work  below, starting with a self – portrait of the young artist (compare it to that of the old woman portrayed in the 5th picture down, her last self-portrait, one of twenty she did in the last year of her life; actually, there’s a later drawing but the one here is the last painting).

 

Portrait of her mother; I like the light on those knuckles and fingers…

 

Nothing like the others, this one…

 

Her mother again; the blue background and the dazzling white of the open book sing out to you in a gallery full of rather – well, brown and grey pictures.

We’re in the land of Munch here, aren’t we?  I don’t mean that as a compliment.

 

Like the blue mother above, a welcome splash of colour in a drab world.  I liked the paintings for the most part and was reminded here and there of Gwen John (but also, unfortunately, of Munch).  Thirsty for colour, as well as for a beer of course, by the end of the visit.

Modernists & Mavericks; Bacon, Freud, Hockney & the London Painters.  Martin Gayford, Thames & Hudson, 2018

Buy this; it’s £12.99 well spent (has to be the book, not a Kindle version, if there IS one).  No jargon; all the famous anecdotes are there, but Gayford does a great job of putting this lot in the context of the times and of each other.  There’s a very clear discussion of just what “abstraction” can mean – about five different things, I made it – which, as the author says, is a question which kept a lot of drink-fuelled arguments going all night in the 50s and 60s.  I was astonished – no, overstated, but surprised – to read about the furore over William Gear’s “Autumn Landscape” at the Festival of Britain.

As always, a couple of new ones of mine to finish:

Before the Snow

 

Drying off

….and three others that I will be exhibiting with ArtBridge in Paris in September:

Caen

 

On the Rocks

 

Crossfire

Blackpaint

12.08.19