Posts Tagged ‘John Brack’

Blackpaint 277

June 2, 2011

Exhibition

Had an offer to take part in an exhibition the other day, which was nice;  however, when I asked for details, I was told that one condition was no nudity, or partial nudity (I presume they meant in the paintings).  The reason was, the venue was a church hall and nudity might offend those who used it for purposes other than looking at art.  They have a point, I suppose – some of the Michelangelo stuff on the Sistine ceiling and wall might alarm cubs or scouts;   the implied oral sex in Adam and Eve for instance, or the wielding of huge phallic columns, or the snake biting Minos’ penos – sorry, penis – then again, it might not.  The images are distant and difficult to make out, after all.  Anyway, although my stuff is abstract, any figures anyone might read into the blotches and smears are definitely nude and might well be taking part in some obscene act – so had to decline, regretfully.

Ai Weiwei

Went to see the bronze Zodiac animal heads in the courtyard of Somerset House, with the fountains and kids playing within their semi-circle.  They actually look like hard, moulded brown plastic (the heads, not the kids) and feel like it too.  There was a rat, cockerel, dragon, snake, lion (or tiger), hare, bull, horse, pig… must be three more, but can’t remember.  They are based on figures that were outside a Chinese palace, I think, and that a British army stole or destroyed during an Opium War; so there is an irony in  them being on display in a British “Palace”.

The Lisson Gallery show has the neolithic pots that Ai plastered with garish, modern industrial paint.  This iconoclastic streak in Chinese art makes sense in the context of a society so bound by rules and convention and order; smash it up, break free, clear the decks, start afresh.  In this respect, a negative (or rather positive) image of the Cultural Revolution, the Red Guard, the Little Red Book – but done from below, by insanely brave individuals trying to achieve a sort of freedom of thought and action.

Ai Weiwei is still being held without charge by the Chinese authorities.

Out of Australia, British Museum

Prints and drawings by the “Angry Penguins” group of Australian artists, Tucker, Nolan, Boyd, Brack and Hester; also some drawings by German Jewish WW2 internees, and abstracted landscape pictures by the great Fred Williams.  These drawings, particularly Nolan’s and Boyd’s, are well worth a visit, but it is the Native Australian pictures, by the likes of Judy Watson and Kitty Kantilla  that are really interesting.  There is one of a lightning god, in the form of a grasshopper with “wrists” chained to “ankles” and little hammers on the elbows; another of sand whorls on the ground, another with arrows of a cyclone heading towards lines at right angles, representing the land…  They look like abstract tapestry patterns, but are all representative.  I’m explaining this badly; go and see.

Aguirre, Wrath of God

Watched this again the other night;  the whirring, wheeling whistle of that bird, Kinsky’s mad, sneering glare, the sinister “la, la, la”-ing of Aguirre’s accomplice, the beautiful, doomed girls…  fantastic film, enhanced in some strange way by the crap subtitles.

Blackpaint

02.06.11

 

Blackpaint 58

February 4, 2010

Penguin Covers

I love those old Penguin Modern Classic covers from the 60s and 70s, I think when Germano Facetti was in charge, when they used modern (ish) paintings.  At the moment, I’m reading At-Swim-Two-Birds by Flann O’Brien and it has a great Jack Butler Yeats cover; “the Bus by the River”, in fleshy creams, red-browns, light green and Prussian Blue, done with slices of a thick brush and maybe a knife, showing a capped man and hatted woman peering out from the bus at the passing houses – I’ve already nicked the colour scheme, but it didn’t come out as well as Yeats’, needless to say.

If you have any sort of collection of these old paperbacks, you should lay them all out face up on the floor – you’ll have  a fair set of great art repros, including some fairly obscure names; John Brack for instance, from the cover of Patrick White’s “The Vivisector”.  I’m going to go through my lot over the weekend to see what else there is (yes, sad, loser, all the other variations).

Gillian Ayres

Another fantastic painter, I’ve been admiring the Patrick Heron (as I thought) cover of our phone book – turns out it’s Gillian Ayres “Lure”.  look it up, you’ll see why i thought it was Heron.  Beautiful picture, throbbing colours; its easy to see why she couldn’t stand the Euston Road people who taught her, according to Martin Gayford’s Telegraph article last week.

Giacometti 

Worth every penny.  it’s going to look very striking in my entrance hall.

Gambling Man trad. arr.by Lonnie Donegan

“Well, I’ve gambled down in Washington,

And I’ve gambled up in Maine,

I’m goin’ down into Georgia to knock down my last game….

I’m a gambling man, man, man,

I’m a gambling man…”

Blackpaint

04.02.10