Posts Tagged ‘Kieslowski’

Blackpaint 649 – RA, Valloton, Urban Art and Two Killings

July 9, 2019

RA Summer Exhibition until 12th August

Second visit to the summer show – yes, astonishing to relate, I was rejected yet again this year – but I think I have managed not to let annoyance cloud my judgement.  Several of my favourites below:  apologies to the artist who produced the collection of bizarre figures behind the tiny fence; didn’t get the name.

 

George Blacklock

 

Blacklock again – same size, I think, as the first one, despite the different sizes of the photographs.

 

Frank Bowling, one of his “crusted” pictures

 

???  Tried to think of a comparison for this one – could only come up with two possibilities, both painters:  James Ensor and John Bellany.  Well, maybe, at a stretch…

 

 

Christopher le Brun – paintings, that is; apologies to the sculptor. another one whose name I didn’t get.  The Le Bruns are better “in the flesh” than in the photo.

 

 

RA Students Exhibition – finished now, I’m afraid, but I thought these two were striking…

 

Rachel Jones

It’s all about the colour, to state the obvious.  I should point out that it’s very large, as is the picture below.

 

Lucas Dillon

Christopher Wool meets Day of the Triffids.

 

RA,  Felix Valloton, until 29th September

Swiss artist of multiple talents, member of the Nabi group; some of his paintings resemble those interiors of Vuillard, with less “surface”.  They are composed of flat areas of colour, often lit from within, sometimes verging on illustration or even cartoon; there are several paintings containing nude women – not the painting below – in which the flesh is uniformly grey/white, almost a dead quality.  In my opinion, he’s like Augustus John – that is, hugely talented, but with variable artistic taste.

 

My personal favourite; only a small work, but impressive.

 

Vuillard colours, but flat surfaces…

 

Strangely like Norman Rockwell….

 

Internal lighting – great design. like a print.

 

Still Life, which resembles William Nicholson.  It’s hard (for me, anyway) to think of a painter with more variety of styles.

A Short Film About Killing –  Kieslowski 1987

 

An hour long version of this film comprises The 5th episode of Kieslowski’s “Dekalog“, based loosely on the Ten Commandments; it’s the one. not surprisingly.  dealing with murder – both by the individual criminal and the state.  It seems clear to me that the director considers the hanging of the young killer to be somehow equivalent to the murder.  He is shown to be feckless, randomly violent, relentless, stupid; but he gets on well with children, grieves for his dead little sister and the taxi driver he murders is a sleazy character, possibly a sexual predator; the execution scene is shocking and prominence is given to the lawyer’s horror-stricken reaction and anti- hanging statements.  Nevertheless….

Interesting to compare it to the much longer “Badlands” (Malick); in the latter, the director took no moral stance towards the killer, “allowing” the events and the commentary of Sissy Spacek’s character to speak.  Of course, in neither case do we know how much truth there is in the portrayal.  Both “A Short Film” and the two volumes of “Dekalog” are available on DVD on the Artificial Eye label.

 

Urban Art, Josephine Avenue, Brixton

Sold at the weekend at Urban Art in Brixton. the three Blackpaint paintings below:

 

Storm Front

 

Colunga

 

White Line Fever 2

Another great weekend under the big trees in Brixton – well done again, Tim Sutton (organiser) and all volunteers.  This was the 18th year of Urban Art, I understand…

Blackpaint, 

8/07/19

 

 

 

 

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Blackpaint 505 – Francis, Rembr’ndt and the Chimp’nzees

August 2, 2015

Bacon and the Masters, Norwich (UEA)

Afraid this exhibition is now finished – I got to see it in its last week – so its a bit redundant now to review it.  However, I’m rather redundant myself, so here’s a few words.  First, I have to take issue with Jonathan Jones’ assessment in the Guardian; he thought the “Masters” (Matisse, Rembrandt, Velasquez, Van Gogh, Bernini et al), whose works Bacon used as  templates or providers of inspiration, actually made Bacon’s efforts look rather “silly”. His previous admiration for the British painter evaporated in the presence of the Masters.

There is no doubt that the Rembrandts are striking and the terracotta Bernini torsos staggeringly powerful, even though small; my feeling is, however, that Bacon’s work stands up well and does justice to those whose works he used – or rather, the photographs of them, since he famously avoided seeing the originals.

Take the paintings below, for instance; the powerful, sinister “Figures in a Landscape” (1956):

bacon figures in a landscape

 

or the portrait (1957) of Peter Lacey, Bacon’s sadistic “true love”, who did the painter quite serious injury in lovemaking (I don’t know if Bacon returned the compliment – I suspect not); I think the portrait suggests one of the Furies about to descend…

bacon lacey

or this great sketch or half-started work on linen from 1981, one of the three large sketches that begin the exhibition:

bacon three figures 1981

 

Here’s one of the Berninis for comparison:

bernini

The only Bacon that I felt was not up to par was a sketch of the Screaming Pope.  it suggested a Steve Bell to me…

Look closely at any Bacon and you will see how thinly and carefully he paints, with a stroke that is often very dry.  The portraits are painstaking and the famous distortion does not obscure the likeness in most cases; it’s dissection and reassembly, not butchery, not by a long way.

Afterwards, using one of the luxurious WCs in the Sainsbury building, I saw myself in the mirror which takes up the whole rear wall. Slightly crouched, toilet paper in hand, trousers around lower legs, furtive expression… a rather typical Bacon scenario, to match those in the gallery…

Watching an Arena DVD on Bacon, I was struck again by his odd pronunciation of Rembrandt – it was “Rembr’ndt”.  A while later he did it again with “chimp’nzee”.  I thought it was unique – then I watched a DVD on Auerbach and he said “Rembr’ndt” too.

John Golding, UEA

golding2

Up the stairs from the Bacon exhibition was this large show of paintings from Golding, a major British abstract artist, somewhat akin to Hoyland, I think, as a sort of counterweight to the great figurative master on the ground floor.  Here are three works, all large, from different periods.  This show may still be on – worth a trip to Norwich, if it is.

 

golding3

 

golding6

The Double Life of Veronique, Kieslowski

This film was on TV last week.  I can’t make my mind up about Kieslowski’s work – sometimes, as here, it strikes me as sentimental and soft focus, a little bit “Truly, Madly, Deeply”; she falls in love with a handsome puppeteer, for god’s sake.  Then again, he did “A Short Film about Killing”, with the long murder and the hanging scene….

Two old pictures that I have overpainted somewhat, to finish:

jungle

The Road to Mandalay

 

10th May 1941

 

10th May 1941

Blackpaint,

2.08.15