Posts Tagged ‘MACBA’

Blackpaint 586 – Voodoo and Venus in Barcelona and Bloomsbury

February 13, 2017

MACBA, Barcelona

Museum of Contemporary Art.  Fabulous white Bauhaus-y building, reminiscent of  Helsinki, besieged by surly, hooded skateboarders.  First, “Hard Gelatin” (1977 – 82); politics, pretty much Anarchist/punk/porn/activist, two fingers stuff; some comic called “Buttafera” was the focus of much.  Porn drawings and posters featuring sucking, dismemberment; old photos of protests, “happenings”; video of transvestite Spanish Donna, roaring songs in alternate deep voice and falsetto…

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Wow – radical.

 

 

jordi-benito

Next, science/tech “experiments:  above is Jordi Benito, “Hands transforming ice into water by body heat”; like a hand dance, strangely beautiful (he wrote pretentiously).  Also Beuys – like pieces, producing spunky white froth under a glass dome – and a giant wooden barrel rocket ship by Mireilles.

fina-miralles

Rather like Keith Arnatt, I think.  There’s another series of her gradually disappearing into a hole in the ground; even more like Arnatt.

Plenty of other stuff, but the real hit for me was Antoni Miralda, or Miralda Madeinusa, as he styles himself.  His first installation (below) is in a disused chapel next to the museum and is called “Santa Comida” (Holy Food) – series of shrines round the inside of chapel, Yoruba deities, transformed in the Americas to Santoria or Voodoo.  Ogun was the main deity.  Offerings of food – sardines, cod, herrings for the fish god, bay leaves, bananas, canned goods for the earth god; loads of little figurines – one was Oliver Hardy – mostly South American by appearances.

This is all from Miralda’s personal archive; but he is also a forerunner of Jeremy Deller, in that he gets lots of people to take part in, or mount exhibitions, parades, events and then makes videos of it all, and related artworks.  This one dates from 1984-89.

 

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Holy Food

In the MACBA building, several more Miralda installations and commemorations:  in “Wheat and Steak” (1981), in Kansas City, he got people to parade with floats and placards of steaks and a three -tier “Tri-Uni-Corn” (below), which was the main float.

 

miralda-3-cow

In “Breadline” (1977), there are videos of the Rangerettes of Kilgore College. Texas, going through their training routines; a long line of dyed bread slices, green, red, yellow, orange (below); “Texas TV Dinner”, a series of disgusting, video images of fast food, franks etc., appearing on screens set in a counter next to groups of condiments.  Also, videos of dyed macaroni “landscapes”…

 

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Hail Caesar (Coen Bros, 2016);  Trumbo (Jay Roach, 2015)

Both of these films set in the McCarthy era in Hollywood. the Coen Bros one, features George Clooney in his manic comic mode, as a star kidnapped by a group of Communist screen writers, and is a skit, complete with a Russian submarine and a cowboy hero who I guess is based on Audie Murphy.  A brilliant dance scene, sailors in a bar, worthy of Follow the Fleet, or more closely, On the Town.

Trumbo is a conventional biopic, featuring Bryan Cranston as the left-wing screenwriter who did time for refusing to cooperate with HUAC et al and had to use a front man to submit his scripts, including Roman Holiday.  Heroes: Kirk Douglas, Otto Preminger, both of whom hired Trumbo and credited him; villains: John Wayne, Ronald Reagan, but above all, Hedda Hopper, played here by Helen Mirren.  Good, but weak; Edward G Robinson, who initially stood out against the witch hunt but buckled to pressure in the end and named names.

Sussex Modernism at 2 Temple Place

Stunning wood -pannelled house, built by David Waldorf Astor, watched over by a gaitered officer (of the Temple? Church?), thronged with grey and white heads on Saturday we visited, as might be expected.

A bizarre Venus and Adonis by Duncan Grant (below); just look at that twist and the positioning of the head!  Also by Grant, a beautiful still life with wine bottle and flower.

Venus and Adonis c.1919 Duncan Grant 1885-1978 Purchased 1972 http://www.tate.org.uk/art/work/T01514

A life size Christ from the wall of Berwick Church, based, I think, on David Garnett (quite wrong about this – it was either Edward le Bas or poss. Leonard Woolf).  A most impressive table model of the De la Warr Pavilion in Bexhill and the David Jones (below) done at Capel-y-Finn, I believe.  Several Vanessa Bells, but nothing remarkable; Gaudier-Brzeska, Wadsworth and other surrealists and of course, several Eric Gill pieces to raise the aesthetic, if not necessarily the moral tone.

 

Jones, David; The Garden Enclosed; Tate; http://www.artuk.org/artworks/the-garden-enclosed-199551

Next blog, Picasso in Barsa, Soutine, Swinton and Fiennes in Italy.

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Time and Place no.7

Blackpaint

13/2/17

 

 

 

 

 

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