Posts Tagged ‘Mariotto Albertinelli’

Blackpaint 216

November 7, 2010

Ai Weiwei

Unbelievably, the Chinese have demolished his studio and now placed him under house arrest, presumably because of his support for dissidents and general refusal to toe the line.  His installation, which got such a lot of bemused comment in the British media because of the porcelain dust business, is still “on” in the Tate Modern, our main showcase of modern art to the world; the current campaign of intimidation against him should be headline news, surely.  The Chinese government are also trying to stop ambassadors from attending the Nobel Prize award to Liu Xiaobo.

Arthur Melville

One of the Glasgow Boys, current exhibition at the Royal Academy, this is the painter who has a little picture at the NG of Scotland in Edinburgh that appears to be as near to abstract as makes no difference (see Blackpaint 139, May 24th).  This surely makes it the earliest abstract in Western art (?).  Laura Cumming, in her review of the show, mentions it and points out that it is actually an impressionistic rendering of a scene at the Moulin Rouge, but rightly says it is more like Abstract Expressionism than any other movement around at the time.  Melville’s  more conventional paintings are hugely impressive too; the one in the Observer reminds me of something by Brueghel, big red-flanked mountains, a U shaped lake at the foot (no serpent, unfortunately) – that is, until you notice the brushwork.  Haven’t been to the RA yet, so don’t know if the Moulin Rouge pictures are in the show – I suspect not, or they would have been reproduced in the Observer article.

Zoe Leonard

Should have included her in my list of artists using strange materials (see Blackpaint 162, July 5th): she has made baseballs (must be – she’s from New York) out of orange and grapefruit peel, stitched in sections and a purse out of banana skin with zip fastener attached; “unzip a banana”, as the advert used to tell us.

Mariotto Albertinelli

A strange “Creation and Fall” in the  Courtauld collection by this artist;  Eve is emerging from the sleeping Adam’s side, assisted by an angel supporting each elbow.  To the right of sleeping Adam is Adam awake, receiving the fruit from Eve, who stands by the Tree.  The serpent’s human (but sexually indeterminate) head appears to be whispering in her ear – and a thin twig from the tree, or maybe a foot of the serpent, appears to be tickling her pubic hair.

Blackpaint’s Quiz

A new feature, the result of inexorable dumbing-down pressures on the writer.  Correct answers will be included in Comments, of course – and that will  constitute the prize.

Q.  Who painted a plaster head, a green ball and a glove (looks like rubber) in the same painting?

St.Dorothy by Blackpaint