Posts Tagged ‘Museo de Art Antiga Lisbon’

Blackpaint 655 – St. Anthony. St. Augustine and the Floating Furniture

October 12, 2019

More Lisbon – starting with the Museo de Art Antiga

Unmistakeably, Hieronymus Bosch, The Temptation of St. Anthony

 

Saint Augustine, Piero Della Francesca – I know, not obviously DF – until you notice the thousand mile gaze (below)

 

Californian, maybe?

These below are in Belem, the modern section of the Cultural Centre:

Michael Craig Martin, floating furniture – not the title, but could be…

 

Richard Serra – I think the material is graphite on paper.

Frank Stella on the wall – Anthony Caro on the floor

 

This is from the castle that overlooks Lisbon –  it’s a section of wall, but could be a painting – or sculpture.

 

Gillian Ayres, of course – but I can’t remember where it is.  The Gulbenkian, I think.  It’s a lot like that one in the Tate Britain, the one that looks like the constituent parts of a fried breakfast; in a good way, that is…

 

Also the Gulbenkian – don’t know who the (Portuguese) artist is for certain; think it’s Amadeo de Souza-Cardoso –  but quite like early Malevich, I think.

 

Back to the Antiga – also called the Museum of Discovery, by the way, just to confuse matters even more…

 

Fantin-Latour of course – fabulous hydrangeas, lovely tablecloth..

 

Just to show that even great artists have lapses of taste from time to time, I include the following two Manets:

Hmm…

 

No comment.

These next are from the Gulbenkian Museum – the first two from the modern section, the last from the Folk section:

Paula Rego – I really like her abstracts as a rule; this one a little like a Miro rendered by a young Patrick Heron?

 

Bill Woodrow – going for a stroll

 

This is from the folk art section of the Gulbenkian; it’s by Sarah Affonso, an example of the art of the Minho region.  I sort of get the impression she was on the professional end of the folk art spectrum – looks like a pretty competent piece to me.  Shades of Goncharova, I think, and Paula Rego even?

Julieta, dir Pedro Almodovar, 

This  film about guilt, unexplained disappearances and, (as often with Almodovar), incapacitated and/or comatose characters, popped up on British TV the other night.  I remember I found it reminiscent of Bunuel when I first saw it – this time, I was surprised by the ending, which I thought was different from the first time.   Then I realised I was “remembering” the ending as Bunuel would have done it, NOT Almodovar.  Almo’s ended on a note of hope and reconciliation; Bunuel’s would have ended with a further unexplained and infuriating disappearance.

Great Klimt -ish dressing gown though.

 

In a Marine Light

Blackpaint

12.10.19

 

Blackpaint 654 – St.Catherine, Cleopatra and the 27th (Penal) Panzer Regiment

September 29, 2019

Gulbenkian Museum, Lisbon

Continuing with galleries in Lisbon, here are some paintings from the modern(ish) section of the Gulbenkian, fantastic museum in beautiful landscaped gardens.  Again, surprising number of British artists represented.

Love this, but unfortunately, didn’t get name of artist.  Think it’s Portuguese but looks Mexican, doesn’t it?

 

Howard Hodgkin – an early one, obviously.

 

Joe Tilson – painting, sculpture, collage – or all three?

 

OK, we’re in the same museum, but a different section.

 

Museo de Art Antiga, Lisbon

Another staggering collection – or rather set of collections – to rival the V&A.  Well, resembles it, anyway.  Below, triptych, showing the martyrdom and apotheosis of St.Catherine.

God has caused the torture wheel to shatter –

 

…but unfortunately, God’s intervention was not enough to save her.  Perhaps His attention strayed…

 

But never mind; bring her up to heaven (and don’t forget the head).

 

Bronzino, the Holy Family (not sure if this is correct title).  Notice the infant Jesus’ hand, near BVM’s breast – echoes the titty tweaking in Bronzino’s better known painting below:

 

Demon’s head

 

St. Jerome by ?  Charming little picture.

 

Studio of Ribera (obviously)

We didn’t have time to go round the lot, unfortunately, but it’s a huge museum.  Particularly striking were Japanese screens, showing the arrival of the first Portuguese to arrive on Japanese shores in the 16th(?) century.  For some reason, they’d brought elephants with them, apparently.

Tate Britain – Hoyland and Ayres

There is a great pairing of two major abstract artists, very different but, like Bellany and Davie at the Newport Street Gallery recently, they complement each other wonderfully.  I think it’s the colour and the size.

Gillian Ayres – Something Blues (forget the name).  It’s about the size of the other two below.

 

 

Ayres, Phaeton – I presume the arc is the route of Phaeton’s chariot across the heavens

 

Ayres, Cleopatra – fabulous tangle of colours, each of them absolutely right, it seems to me.

 

John Hoyland – this is best viewed from across the gallery; near to, the scrapings in the dark red look a little muddy.  Same order of size as the Ayres.

 

Hoyland again – sorry, took no note of titles.

Tate Britain rehang (sort of)

They haven’t done a full rehang by any means, but I noticed a batch of new paintings in the 50s/60s sections, a few of which I’ve put in below:

This is by Mary Martin, and it grabs your attention from the neighbouring room when you see it through the arch (whoever places the pictures really knows which ones should be seen through the arches – perhaps best example is the big blue Ayres above).

The Martin is actually a long sheet – or maybe four long sheets –  of metal (aluminium?), crumpled into triangular shapes; the faces of the triangles reflect the colours of the paintings around it.

 

Keith Vaughan – great figure study, with his characteristic blue background.

Gillian Ayres again – something of Whistler’s Nocturne here, maybe (is it Nocturne?  The one that Ruskin described as a pot of paint thrown in the face, or somesuch…)  Fantastic, I call it…

 

Sven Hassel

A bit of a mood change now…

My latest reading; I see Joseph Porta as a thin Falstaff, going into battle with his flamethrower and top hat (prototype of many Satanic majesties in rock music and Gothic horror), with Tiny, Pluto, the Little Legionnaire, the Old ‘Un and Hassel himself, the anti-Nazi soldiers of the 27th Tank (Penal) Tank Regiment.  OK, it’s not great literature but it hits that late night Discovery Channel spot, beloved of British men of a certain age…

Latest Lifeys

No new paintings this time, so a couple of my life drawings to end with:

 

 

Blackpaint

29/09/19