Posts Tagged ‘Pisanello’

Blackpaint 131

May 10, 2010

Robert Natkin

Obituary today of another great painter I’d never heard of until I saw the Guardian.  An abstract expressionist and colour field painter, his paintings are misty light blue and red/orange patches and ovals, often with a milky surface, as if seen through white muslin.  I like his stuff a lot; a bit like a washed-out Hans Hoffman in some.  There’s a photographer of the same name, who died in 1996.

Fra Angelico to Leonardo – Italian Renaissance Drawings

Finally got to this today; crowded, but not packed.  So much in it that I’ll do it over a couple of days.

Here goes, in no particular order: Michelangelo, “old man in a hat” – shading vertical lines and top left to bottom right and cross hatching.  Elsewhere in exhibition, notes refer to cross hatching as the characteristic Michelangelo style (new to me; see Blackpaint 16 about Mick’s, Leo’s and others’ shading habits).

Several Siennese drawings, all based on Duccio paintings.

“Hanged men” by Pisanello, clearly done from life, as it were; the one with the drooping thigh boot rather haunting.

Gozzoli and Lippo Lippi pictures on blue paper, in metal- and silverpoint highlights picked out in white lead, really effective.

Ghirlandaio drawing of servant woman pouring out a jug, with cross-hatching “in the Michelangelo style”.  One of the best drawings, I think; he was Mick’s mentor.

Da Vinci’s 1473 landscape – the earliest European landscape say the notes – must check on other cultures.  Very variable shading, all directions, short and long, a little like some of Van Gogh’s. 

More Leo, Virgin and child with cat, loose sketching, hardly any shading, quick and – sketchy.  Also Christ with cat.

Leo, background to Adoration of the Magi with perspective lines ruled in, like a diagram – surely just an intellectual exercise for him.

Rosselli, Mount Sinai – again, no trees (see Blackpaint 112 on Michelangelo, who doesn’t do trees either).

Pollaiuolo – a very strange Adam; rangy and muscular, with a right arm completely out of proportion and short bandy legs, leaning on a stick as if it were a crutch, teamed with a more conventional drawing of Eve.

Mantegna, St.James led to execution, the shading lines run from bottom left to top right, some horizontal; in the next picture, Man on Slab (Lazarus?), the shading is reversed, as it is in his Virgin and Child.

Two beautiful drawings by Bellini with tonal shading, that to me, were reminiscent of Ingres; in the next picture, however, attributed to Bellini and done in the same medium, there was clear parallel shading from top left to bottom right.  They looked quite different to me.  this latter drawing was called “Campo San Lio”.

I’ll finish today with Ghirlandaio’s drapery study (beautiful); apparently, he dipped the cloth  in wax and hung it on an armature so that it hardened and the folds were preserved.

More tomorrow, including Carpaccio, more Michelangelo, more Leonardo, Raphael and – more.

Apotheosis of Blackpaint

10.05.2010