Posts Tagged ‘Rachael Kantaris’

Blackpaint 341 – Ballet Girls, Donkeys and Buckets

May 10, 2012

Charcoal and pencil

The first is great to use, the second a chore.  I’ve acquired a cheap book of Degas’ drawings, mostly ballet girls, and have been copying them; the legs are the most difficult – feet always pointing in some improbable direction.  That, and getting them to look like the young girls they are – mine keep coming out too old, somehow.  They haven’t got that slight dumpiness or sturdiness that Degas’ girls have got.  That line of his is just great.  Also, the two servants with the laundry baskets and the ones that are grooming the horse (or horses, it transpired, as I was drawing – the head belonged to a second horse looking over, NOT to the first horse looking back – if you see what I mean).

Can’t somehow get the same buzz from pencil – too laborious, can’t just smear the dust with my thumb to get shading like I can with the charc, got to draw parallel lines.

St.  Ives since the Fifties

A cheapo catalogue of a 2006 exhibition at the Katharine House Gallery in Marlborough I got in Campbell’s, that bookshop opposite Tate Modern.  I mention it because there is some great stuff in it from St Ives people I didn’t know of; chief of these is Rachael Kantaris, two lovely etchings and an acrylic by her, touch of Hilton in that black line through the fleecy white.  Then, Tony Shiels who was born in 1938 but is new to me; three gouache and watercolour, very reminiscent of Lanyon (senior), best being “St.Ives Sea Head” from 1960.  Also some stunning Terry Frost Lorca illustrations – and loads more.

Kantaris

Museum Boijmans Van Beuningen at Rotterdam

Also from Campbell’s, only two quid, a catalogue of this museum, to which I’m heading at the first opportunity – assuming it’s still open, as there’s no date in the catalogue as far as I can see – can’t be bothered to read the text.  Anyway, some stunning stuff in it, the chief being Karel Appel, “Farmer with a Donkey and Bucket”, from 1950.  It’s a painted stable door – with a bucket hanging on the bottom. 

Appel

Then, there’s Asger Jorn, “The Town of Ivory Towers” from 1955 – dark green and dried-blood red, deeply scored and looking rather like a stained glass window; can’t find a picture on Google.

Then, de Kooning – “The Cliff of the Palisade with Hudson River, Weehawken, New Jersey, 1963” – which actually looks like a figure study in white and brown, on an ochre and blue background.  There’s a great Dali self-portrait in pencil and black ink on paper – heavy sketched like a Jim Dine or Kitaj life drawing, like no other Dali I’ve ever seen.  Three great van Dongens, including “A Finger on her Cheek” – don’t know why I like him so much, apart from the name.  Maybe it’s the crudity of the colours and the energy of the line….

One other painting to mention, “The Earring, 1893”, by George Hendrik Breitner – never heard of him before.  beautiful long, straight flower vase of a woman looking in a mirror, Whistler maybe, Japan definitely. bit Klimt, but just a bit… 

Breitner

1900, Bertolucci

I saw this way back in the 70s when it first came out, and I was dismayed to see it again and find that it’s dubbed (presumably because most of the big male stars – Lancaster, de Niro, Donald Sutherland, Stering Hayden – are American.  This gives it a terrible spaghetti western sound – probably would be great with subtitles.  It also has two, perhaps three, of the most dislikeable child actors, doing all that rite of passage stuff – comparing willies. masturbating in the fields, wrestling and slagging each other off – haven’t seen the second DVD yet, but no doubt they compete for the same girl…

Can this really be the Bertolucci who coaxed such subtle and understated performances from Brando and Schneider in “Last Tango”?

Blackpaint

Figure Drawing 6

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