Posts Tagged ‘Russell’

Blackpaint 356 – Night Fishing, Rick and Ilsa, Sidney’s Fez

August 30, 2012

Away from wi-fi so couldn’t publish last week.

Colour

Thought I’d pick out some paintings that demonstrate startling or memorable colours this week, so here goes:

Picasso, Night Fishing at Antibes (1939).  Indigo, Claret and verdigris green.   Look how much he’s packed in, too – not only the boat, the man with the spear, the fish, sea, birds, but the quayside and a woman with a bike.

De Kooning, Woman with Bicycle.  The Picasso suggested this to me – maybe to DK too.  He chucks in all the colours but manages to make them look fresh.

Per Kirkeby, Flight into Egypt, 1996.  The flaring reds and oranges against that blue, and the textures.  The red and blue combo shows up in aseveral done in 1995 -6; Nikopeja I and II, Siege of Constantinople and an Untitled (Asger Jorn had a stage of giving apparently abstract pictures historical titles too – maybe an influence there).

Patrick Heron, Fourteen Discs (1963).  Two fried eggs – one with a green yolk and blue “white”; the other, natural yolk, green “white”.

Jorn, King of Hades. 1942.  Grid of black bars, sea green/blue and fiery red/orange glimmering through.

Casablanca

Saw this all the way through in one go for the first time last night and was, of course, bowled over.  The dodgy sets, the Wilson, Keppel and Betty costumes of the waiters, Sidney’s fez, Conrad Veidt’s unconvincing (?) German officer, Claud Rains’ apparent infatuation with Bogart (“If I were a woman, I’d want to marry him”, or words to that effect) – and Ingrid Bergman, sexier even than Ginger Rodgers.  The dialogue so full of quotations, and that song; I’d assumed it was by someone famous, Irving Berlin or Cole Porter, but no – Herman Hupfield.  Dooley Wilson was Sam; he was a drummer who couldn’t play the piano – but it’s his voice on “as Time Goes By”.  Acted with Lena Horne and Bill Robinson in “Stormy Weather”.

In the Paris flashback, Bogart looked to me uncannily like Robert Wagner.  I know it’s prurient, but did Rick and Ilsa “renew their relationship” in Rick’s flat over the club?  It seems to me it was implied by the fade out after she pulled the gun on him.  I’d like to think so – but then, they’d always have Casablanca, as well as Paris…

Top 10 films

Critics recently did one of these, so here’s mine, with reason in brief:

Satantango (Bela Tarr) – they plod through the relentless rain, across a darkening plain, to majestic, melancholic accordion music…

Amarcord (Fellini) – the fog scene, and meeting the ocean liner in the rowing boats….

L’Atalante  (Vigo) – the underwater scene and the clarity of the filming.

Mirror (Tarkovsky) – she raises her head from the tub, hair over her face, ropes of water spraying around – and everything else really, the fire, the snow scene, the newsreel of the balloon ascent.

The Leopard (Visconti) – Burt and Claudia dancing at the ball; stunning…

Russian Ark (Sokurov) – That staircase at the end as they flock down to oblivion dressed in their Napoleonic finery.

Death in Venice (Visconti) – Bogarde throughout, the Mahler 4th and 5th, the ginger player with the front teeth missing, the tut-tutting hotel manager (also in Leopard, what’s his name?)

Women in Love (Ken Russell) – Glenda radiant, Oliver brooding and smouldering, Eleanor Bron’s dance. the naked wrestling…

I realise none of these films contain any meaningful sex scenes,  so next blog will contain my top five high quality films containing sizzling sex; why only five?   Only seen five.

Sables – les – Pins

Blackpaint

30.08.12