Posts Tagged ‘Sharon Hall’

Blackpaint 573 – Imperfect Artspeak, Hughes and Narcos

October 25, 2016

Imperfect Reverse, Camberwell College of Arts

Some beautiful geometric abstracts on display here, some of them from the 60s and 70s Systems Group, some from younger artists working now.  I quote from the notes: “The term “imperfect reverse” intimates a move towards a structural logic, generative grammar, allowing an outside system or set of rules to drive the making of a series of works….This exhibition questions that transformation through a coercion that is both temporal and aspectual.  Examining an operational shift in working process towards a synthesis of experience.”

So there you are.  Whatever it means, there’s no doubt that the pictures are good; a selection of the best below:

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Sharon Hall

 

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Andrew Bick

 

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Richard Caldicott

 

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Natalie Dower

 

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Laurence Noga

The exhibition is at Camberwell until November, when it moves to Ruskin University Cambridge on the 23rd.

The Shock of the New

I’ve been watching Robert Hughes’ great series again – I recorded it ages ago, don’t know if it’s on DVD or some other source, but if so, it should be got hold of.  Apart from Hughes’ unmatched portentous delivery, the close-ups of the artworks struck me as the best I’ve seen – particularly Cezanne, Matisse and Bonnard.  Next to them, the dreary horror of Munch is fully exposed.  I know, he was doing something else – but he’s still a most depressing painter.

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Matisse, the Red Studio

 

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Cezanne, Basket of Apples

 

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Munch

I rest my case.  Hughes describes Matisse as the painter of the “Great Indoors” and that sounds about right to me; his landscapes are usually seen through a window frame.  Munch is often outdoors – but his skies are always dark, or lurid, weighing down upon humanity, as in the Ensor-ish group of walking dead above.  One of the world’s great painters obviously, but I just can’t be doing with him.

It’s always interesting to watch programmes from decades ago, to see how times and tastes have altered.  Hughes gives a great deal of prominence to Claes Oldenburg, for example, an artist who seems to me to be much less fashionable now; although perhaps I’m underestimating the influence of his giant soft sculptures.  Also, not enough de Kooning and no Joan Mitchell in there…..

Narcos

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The Netflix series based on the life of Colombian drug baron Pablo Escobar, it seems to me to have a touch of Sorrentino about it – in several scenes I was reminded of Il Divo.  Multiple killings of course, and I’ve only seen the first episode of series one.  The box of the DVD says it’s a blend of “The Wire” and “Goodfellas” – I thought “Gomorrah”, but then it’s early days for me.

I’ve been trying to do something different in my painting, having realised some time ago that I’m doing the same images over and over (even if they are in a different palette or the other way up); I think I’ve managed it a little in the one below – but maybe not…

 

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Fire, Water and Cloud

Blackpaint

25.10.16