Blackpaint 493 – Whitechapel, Faust, Finnegan, Krapp


Christopher Williams at the Whitechapel Gallery

There are four striking photographs in this exhibition; two are reproduced below – the other two are a white cockerel in profile, and a close-up clutch of large red apples on the bough.  As can be seen, the colours are saturated and intense and the images have the glamour of advertisements.

There is more to it than this, of course; Williams is saying something about the process of photography – there are many other photos of cameras and photographic equipment – and probably much else.  I find from reading the critics Sean Hagan and Laura Cummings that one of the apples is dented (i.e. imperfect) and this is significant.  Similarly, the colour sample in the “turban” pic below does not contain yellow; also significant, perhaps.  I can’t be bothered to work out, or read about the significances, however.  I tend towards the philistine notion that the picture should really stand alone; don’t like reading reams of stuff on the wall or listening to a commentary on headphones.

christopher williams2

 

christopher williams1

There are also some photos of President Kennedy – these are apparently more significant because they were taken not long before his assassination.  In one, he is walking away from the camera into the distance…  I’m not sure about this  – a picture of a football pitch looks the same, whether or not we know there is a mass grave below it – the difference is in our mind.  If we know, we see it differently.

Lynette Yiadom- Boakye curates at Whitechapel

My favourite selection is the Gary Hume giant hand below.  There is also

  • Peter Doig – big orange and green painting
  • Warhol – Cow’s Head
  • Hockney – Sunflowers
  • film of an Estonian artist, dancing to Jimi Hendrix’ “Voodoo Child” at his father’s gravestone (artist’s father, not Hendrix’ father)

 

Gary-Hume

 

Faust, Murnau (1926 )

I got my VCR – that’s a video player – working again the other day and was able to watch my video of this great expressionist film for the first time in several years.  I sat and watched the whole thing through in one sitting, unusually for me (short attention span).  It’s main strength is the fantastic Emil Jannings as Mephistopheles (see below); but also there is the dark expressionist doorways and windows and the cityscape – Feininger, surely.

faust

Krapp’s Last Tape, Samuel Beckett

So then, I dug deeper into the video collection, blew the dust off, and found, after an old “Brookside” episode, this great treasure; Patrick Magee in “Krapp”.  Brilliant play, iconic actor, profoundly depressing content for anyone, like me, who is a compulsive diarist.  “Spool” is a great word, however, and bananas are a wonder food.  Magee sweats expressively – and impressively- throughout.

NPG x127343; Patrick Magee as Krapp in 'Krapp's Last Tape' by Ida Kar

Finnegans Wake

If, like me, you read a few pages of about ten or twelve different books a day – I’m retired, not rich – you find that, when you switch over, the last author’s style stays with you for a few moments and you sometimes get a sort of mental blending, or corruption even, of the latter text.  Perhaps not surprisingly, this effect is strongest with “Finnegan”; for several lines, your mind continues to expect Joyce’s dream language and you don’t immediately recognise plain English.  Most disconcerting.

 

phil3

 

Phil on Fire

Blackpaint

03.05.15

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