Blackpaint 520 – Bellini, Bruegel, Bosch, Berger, Bromden, Bergman


Giovanni Bellini again

Returning briefly to Venice,  I have to post a few of Bellini’s Virgins; it’s so obviously the same young girl modelling the BVM and the same child too, I think – ginger hair and normal proportions.

bellini1

virgin1

virgin2

Definitely a different child in this one though.. or much younger.

virgin3

In the new John Berger collection, “Portraits” (Ed. Tom Overton, Verso 2015) , Berger says that Bellini’s Virgins represent a journey towards the open air; they start in dark interiors and progress towards open meadows.

Portraits; John Berger on Artists

Two more startling insights – well, I found them startling – on Bosch and Bruegel:

pieter-_bruegel-

The Triumph of Death, Pieter Bruegel the Elder (1562)

“…Bruegel’s paintings are more relevant to modern war and the concentration camps than almost any painted since.”  I find that hard to contest, looking at the “Triumph”;

hieronymus-bosch-triptych-of-garden-of-earthly-delights

The Garden of Earthly Delights, Hieronymus Bosch (1500 – 5)

Berger compares Bosch’s vision of Hell to “a typical CNN news bulletin, or any mass media news commentary.  There is a comparable incoherence, a comparable wilderness of separate excitements, a similar frenzy.

“Bosch’s prophecy was of the world-picture which is communicated to us today by the media under the impact of globalisation, with its delinquent need to sell incessantly.”

Overstated no doubt, but apart from the last bit about selling, I thought this was pretty close to right, as regards the coverage of the Paris murders on Friday night.  Sky, Euronews, France 24 all overstated the numbers of dead, as if they weren’t bad enough; BBC repeated some story on Twitter about the jungle camp at Calais being on fire (why do they repeat this shit on “social media”?); it seemed to me that Al Jazeera came closest to getting casualty numbers and other details right at the time.

One Flew Over the Cuckoo’s Nest

ratched

I was roundly criticised by women friends for praising this “misogynist and racist” film when it was first released back in 1975 – and no doubt some of the criticism was justified.  Nurse Ratched (Louise Fletcher) is the embodiment of controlling, malignant authoritarianism; the thuggish, cynical guards are black, the mental patients are white (exception being Chief Bromden, played by Will Sampson) and the anti-hero McMurphy (Jack Nicholson) treats his girlfriends as chattels, to be smuggled into the institution for sex – with himself, Turkle the corrupt guard (the brilliant Scatman Crothers) and, disastrously, with Billy (Brad Dourif).  McMurphy comes close to strangling Nurse Ratched near the end, so violence against women too.

After watching it again on DVD, I have to say that it was even better than I remember; the fishing expedition, the after-hours orgy and the rousing ending were the highlights.  They don’t make them like that any more; tried to think of something similar and the best I could do was Mark Rylance as Rooster in Jez Butterworth’s play “Jerusalem”.

chief

I was sad to read on Wikipedia that Will Sampson died of scleroderma at only 54, after a heart and lungs transplant.

Ingmar Bergman

I wrote last week that a lot of Bergman’s films seem to be set on islands; I did a bit of research and found there are at least seven, starting with “Eva” in 1948 to “The Passions of Anna” in 1969.  Bergman moved to the Swedish island of Faro in the early 60s and founded a studio there – but there were already three films that were wholly or partly island -bound. Something to do with isolating the characters and developing the tensions or attractions between them, maybe; or, as in “Shame” (1968), watching the effect of the outside world bursting in on them – civil war in this case.

shame

Bergman was arrested for tax evasion in 1976; although the charge was dropped, he closed down Faro and said he would make no more films in Sweden.

I was going to write something about Kitaj, but since he doesn’t begin with a “B”, it would mess up my title – so next time.

life2,

 

life6

A couple of life drawings/paintings – yes, I know, but I can assure you the model is alive – or at least, he was when I did it.

Blackpaint

16.11.15

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2 Responses to “Blackpaint 520 – Bellini, Bruegel, Bosch, Berger, Bromden, Bergman”

  1. memadtwo Says:

    Excellent all around. Portrayals of Mary are a particular weakness of mine.(K)

  2. blackpaint Says:

    Many thanks for the comment, K; please keep reading! Chris (blackpaint)

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